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Increasing Visibility, Accessibility, and Engagement with Publications: A Case Study of the Vancouver Art Gallery

机译:增加出版物的可见度,可及性和参与度:以温哥华美术馆为例

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摘要

Publishing in a gallery setting is a means of generating and disseminating scholarship around the institution’s holdings, exhibitions, and activities. Though publishing is an important part of their mandates, many galleries can’t support a publishing department or a full-time publishing coordinator. This predicament is one experienced by the Vancouver Art Gallery (VAG), despite producing several publications a year. In 2013 the VAG lacked the resources to create the infrastructure necessary to support its publishing activities while simultaneously producing new publications; as such, it was a challenge for it to undertake long-term strategic planning, document publishing activities, and distribute its backstock. In response to these challenges, the VAG’s Publications Coordinator initiated a publication study from May to December 2013. During this study research was conducted on how the VAG and other institutions publish, and a series of recommendations for the VAG were formed.
机译:在画廊环境中出版是一种在机构的藏品,展览和活动周围产生和传播奖学金的方法。尽管发布是其职责的重要组成部分,但许多画廊无法支持发布部门或专职发布协调员。尽管每年出版数本出版物,但这种困境是温哥华美术馆(VAG)所经历的。 2013年,VAG缺乏资源来创建支持其出版活动同时生产新出版物所必需的基础架构;因此,进行长期战略规划,文档发布活动以及分配其积压库存是一个挑战。为应对这些挑战,VAG的出版物协调员于2013年5月至2013年12月启动了出版物研究。在此研究期间,对VAG和其他机构的出版方式进行了研究,并为VAG提出了一系列建议。

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    Hawryshkewich Natalie;

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