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Contested representations and the building of modern Egypt: the architecture of Hassan Fathy

机译:有争议的表象与现代埃及建筑:哈桑·法西(Hassan Fathy)的建筑

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摘要

This thesis examines the career of the architect Hassan Fathy as a case study for the Egyptian experience of modernity during the mid-twentieth century. I argue that the discussion of modernity has neglected the Middle East and positioned the West as the singular centre of modern life. I challenge this view through a discussion of twentieth century cultural history which looks at how the issues of modernity and culture, as expressed through architecture, developed as part of an interconnected global dialogue. By analyzing Fathyu27s role constructing the village of New Gourna during the mid-1940s I call into question the implications of his traditionalist mud-brick architectural practice and recast it as an expression of the uniquely modern political, economic and cultural circumstances of Egypt at that time. Furthermore, by arguing that Fathyu27s traditionalist architecture was based upon essentially modern ideas I challenge his status as a founding father of post-modern architecture.
机译:本文考察了建筑师哈桑·法西(Hassan Fathy)的职业,作为二十世纪中叶埃及现代性经验的案例研究。我认为,关于现代性的讨论已忽略了中东,并将西方定位为现代生活的唯一中心。我通过讨论二十世纪文化历史来挑战这种观点,该讨论探讨了通过建筑表达的现代性和文化问题是如何作为相互联系的全球对话的一部分发展的。通过分析Fathy在1940年代中期建造新古尔纳村的作用,我质疑他的传统主义泥砖建筑实践的意义,并将其重塑为埃及独特的现代政治,经济和文化环境的一种表达。那时。此外,通过论证Fathy的传统主义建筑本质上是基于现代思想,我挑战了他作为后现代建筑的奠基人的地位。

著录项

  • 作者

    Nobbs-Thiessen Max Benjamin;

  • 作者单位
  • 年度 2006
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
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