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To Waive and Waive Not: Property and Flexibility in the Digital Era: 23rd Annual Horace S. Manges Lecture, April 6, 2010

机译:放弃而不放弃:数字时代的特性和灵活性:第23届年度Horace S. Manges演讲,2010年4月6日

摘要

Even in an era when creative works can sometimes be made collectively, and where copying and modifying existing works is often easy, individual ownership of discrete creative works still makes sense. Individual creative effort is still the crucial ingredient for many high quality works, and the control conferred by ownership is often the most efficient, and even more frequently the most fair, social arrangement. Even so, a common argument against property rights in the digital era is that they come with a heavy transactional burden. The need to clear permission to use digital works is said to impede the potential of high velocity distribution models and participatory creative efforts. Too many property rights, too many clearance and licensing deals, too much friction in the great digital creativity machine—all stand in the way of progress. There are, broadly speaking, three solutions to the problem. First, society can cut back on the number of property rights, or rework the structure of rights with an eye toward transactional efficiencies. Second, right holders or society in general can invest in rights clearance mechanisms that make it easier for users and consumers of rights-protected works to transact more efficiently. Third, legal rules can be tailored to make it easier for right holders to commit to a binding non-enforcement of their rights. The purpose of this brief Article is to explore in some depth this third option. I begin by describing how waiver contributes to the supple texture of property rights, making it easy for individuals to exercise choices after rights have been granted. This is, in my view, a cornerstone feature of property rights, and one of their chief advantages over other entitlements and incentive regimes. Next, I show how waiver fits with other basic features of property rights. I argue that waiver can be thought of as an aspect of the structure of rights, as well as a (particularly simple) rights clearance mechanism. Finally, I describe some simple ideas that could clarify knotty issues surrounding legal requirements for waiver of intellectual property rights. The most important are: 1) binding, easily verified waiver mechanisms that are "good against the world"; and 2) scope of waiver rules that make it simple for right holders to selectively waive rights, for example, permitting some uses and not others. I conclude with a call for more attention to the waiver strategy as a way of retaining our traditional commitment to property while easing the transactional burden that property rights entail.
机译:即使在有时可以集体制作创意作品且复制和修改现有作品通常很容易的时代,离散创意作品的个人所有权仍然有意义。个人创造力仍然是许多高质量作品的关键要素,所有权所赋予的控制权通常是最有效的,甚至更常见的是最公平的社会安排。即便如此,在数字时代,反对产权的一个普遍论点是,它们带有沉重的交易负担。据说需要明确许可才能使用数字作品,这阻碍了高速分配模型和参与式创新工作的潜力。太多的产权,太多的通关和许可交易,伟大的数字创意机器中太多的摩擦,所有这些都阻碍了进步。从广义上讲,有三种解决方案。首先,社会可以减少产权的数量,或者着眼于交易效率来重新设计权利的结构。其次,权利人或整个社会可以投资建立权利清除机制,以使受版权保护作品的使用者和消费者更容易进行更有效的交易。第三,可以对法律规则进行调整,以使权利持有人更容易承诺不强制执行其权利。本文的目的是更深入地探讨第三种选择。首先,我将说明豁免如何促进财产权的柔和结构,使个人在授予权利后容易进行选择。我认为,这是财产权的基石,是其相对于其他应享权利和激励机制的主要优势之一。接下来,我将展示豁免如何与产权的其他基本特征相适应。我认为放弃可以被视为权利结构的一个方面,以及(特别简单的)权利清除机制。最后,我描述一些简单的想法,这些想法可以澄清围绕放弃知识产权的法律要求的棘手问题。最重要的是:1)具有约束力,易于验证的“对世界有利”的弃权机制; 2)豁免规则的范围,使权利持有人可以轻松地选择性地放弃权利,例如,允许某些使用而不允许其他使用。最后,我呼吁人们更多地关注放弃策略,这是在保持我们传统的财产承诺的同时减轻了产权带来的交易负担的一种方式。

著录项

  • 作者

    Merges Robert P.;

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  • 年度 2011
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  • 原文格式 PDF
  • 正文语种 {"code":"en","name":"English","id":9}
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