His comedy-Drama Lah ka jodoh was inspired by the phenomenon of Mate Ka culture society Minang, about the relationship between Kemanakan and Mamak. In the comedy-drama Lah Ka Jodoh, which Mak Jala was long gone to wander down to the ground and the female Lord of Java. Mak Jala had a son named Rina, as long-stay in other cities, Mak Jala immediately returned to the village to introduce his son Rina to nephew named Khairul, but because it doesn\u27t know to fix her Mak Jala with her niece\u27s own maid, so here there is a polemic in his life when it was in vilage. Great themes in this movie is how when the film was screened to get empathy that can be taken home by the audience that the conflict could momentarily nieces mamak forgotten. His comedy-drama Lah Ka Jodoh in building Hoerijah Adam Performances shown ISI Padangpanjang in the face with the main building. With the show one scene that exists in the fictional Film Comedy Lah Ka Jodoh was on stage as the opening towards the film screenings.The process of designing is done through several stages. The first phase, the search script and story ideas, the second phase do the casting, forming the third stage crew, stage four hunting locations, the fifth stage of the exercises, the sixth phase of the preparation of the seventh set stage equipment, and location shooting, the eighth stage of the ninth stage of the preview, editing, tenth stage of film screenings.
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机译：他的喜剧《德拉玛·拉卡·乔多》（Drama Lah ka jodoh）受马特卡（Mate Ka）文化社会Minang现象的启发，该现象涉及Kemanakan与Mamak之间的关系。在喜剧电影《拉卡乔多》（Lah Ka Jodoh）中，麦加拉（Mak Jala）早就走到了地上，走到了地上。麦加拉有一个儿子叫丽娜（Rina），在其他城市长期居住，麦加拉立即回到村子，将儿子丽娜介绍给外K女Khairul，但由于不知道要用侄女来修理她的麦加拉，自己的女仆，所以在这里，他的生活处于矛盾之中。这部电影的主要主题是电影放映时如何获得同情心，观众可以将其带回家，因为冲突可能使侄女马马克暂时被遗忘。他在喜剧演员亚拉基（Hoerijah Adam Performances）的喜剧剧情片《拉卡·乔多（Lah Ka Jodoh）》中，主楼面对ISI Padangpanjang。放映过程中，虚构电影喜剧片《拉卡·乔多》（Lah Ka Jodoh）中的一个场景作为向电影放映的开放舞台进行了展示。设计过程分多个阶段进行。第一阶段，搜索脚本和故事的构思，第二阶段进行演练，组成第三阶段的工作人员，第四阶段的狩猎地点，第五阶段的练习，第六阶段准备第七阶段的设备，以及外景拍摄，第九阶段的第八阶段，预览，剪辑的电影第十阶段。
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