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Sheet Music Unbound: A fluid approach to sheet music display and annotation on a multi-touch screen

机译:活页乐谱无限制:一种在多点触摸屏上显示和注释活页乐谱的灵活方法

摘要

In this thesis we present the design and prototype implementation of a Digital Music Stand that focuses on fluid music layout management and free-form digital ink annotation. An analysis of user constraints and available technology lead us to select a 21.5” multi-touch monitor as the preferred input and display device. This comfortably displays two A4 pages of music side by side with space for a control panel. The analysis also identified single handed input as a viable choice for musicians. Finger input was chosen to avoid the need for any additional input equipment. To support layout reflow and zooming we develop a vector based music representation, based around the bar structure. This representation supports animation of transitions, in such a way as to give responsive dynamic interaction with multi-touch gesture input. In developing the prototype, particular attention was paid to the problem of drawing small, intricate annotation accurately located on the music using a fingertip. The zoomable nature of the music structure was leveraged to accomplish this, and an evaluation carried out to establish the best level of magnification. The thesis demonstrates, in the context of music, that annotation and layout management (typically treated as two distinct tasks) can be integrated into a single task yielding fluid and natural interaction.
机译:在本文中,我们介绍了数字音乐架的设计和原型实现,其重点是流畅的音乐布局管理和自由格式的数字墨水注释。通过对用户限制因素和可用技术的分析,我们选择了21.5英寸多点触摸显示器作为首选的输入和显示设备。这样可以舒适地并排显示两页A4音乐,并带有用于控制面板的空间。分析还确定了单手输入是音乐家的可行选择。选择手指输入是为了避免需要任何其他输入设备。为了支持布局重排和缩放,我们围绕条形结构开发了基于矢量的音乐表示。此表示支持过渡动画,以与多点触摸手势输入进行响应的动态交互方式。在开发原型时,要特别注意使用指尖绘制精确定位在音乐上的小而复杂的注释的问题。音乐结构的可缩放特性被用来完成此任务,并进行了评估以建立最佳的放大倍数。本文证明,在音乐的背景下,注释和布局管理(通常被视为两个不同的任务)可以集成到单个任务中,从而产生流畅而自然的交互作用。

著录项

  • 作者

    Laundry Beverley Alice;

  • 作者单位
  • 年度 2011
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
  • 中图分类
  • 入库时间 2022-08-20 20:53:21

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