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Writing the World: Ursula K. Le Guin and Margaret Atwood’s Literary Contributions to Ecofeminism

机译:写作世界:厄休拉·K·勒·吉因和玛格丽特·阿特伍德对生态女性主义的文学贡献

摘要

Along with the philosophical writings of ecofeminism’s greatest proponents and critics, the growth of ecofeminist philosophy has relied heavily on fiction writers. The term ecofeminism was coined in 1975, and the following year ecofeminism found fertile ground for exploration and growth in March Peircy’s science fiction novel, Woman on the Edge of Time (1976). The social, academic, and literary trends leading up to the emergence of ecofeminism, however, began well before 1975. Both Ursula K. Le Guin and Margaret Atwood are speculative fiction authors whose work before and after 1975 examines important ecofeminist topics and contributes to the growth of ecofeminist discussion. This thesis traces ecofeminist philosophy in Le Guin’s The Left Hand of Darkness (1969) and The Dispossessed (1974), and Atwood’s Surfacing (1972) and Oryx and Crake (2003) in an effort to explore the roots of the ecofeminist literary movement, examine its connection with and growth through speculative fiction, and gain insight into the roots of a movement which has important implications in an environmentally controversial future. Le Guin and Atwood are precocious ecofeminist authors whose early works handle topics such as technology, gender, demilitarization, ahistory, and the domination of both land and people. Because these matters are the founding issues of contemporary ecofeminism, an analysis of these authors provides context for where ecofeminism came from and where we can expect it to go.
机译:随着生态女性主义最伟大的拥护者和批评家的哲学著作的发展,生态女性主义哲学的发展在很大程度上依赖于小说作家。生态女性主义这个术语是在1975年创造的,第二年,在3月,皮尔西的科幻小说《时间边缘的女人》中,生态女性主义为探索和发展提供了沃土。然而,导致生态女性主义出现的社会,学术和文学趋势早在1975年之前就开始出现。Ursula K. Le Guin和Margaret Atwood都是投机小说作者,他们在1975年之前和之后的工作都研究了重要的生态女性主义话题,并为之做出了贡献。生态女性主义讨论的增长。本论文在勒金的《黑暗的左手》(1969)和《无神论者》(1974)以及阿特伍德的《表面化》(1972)以及奥里克斯和克雷克(2003)中追溯了生态女性主义哲学,以探索生态女性主义文学运动的根源。通过推测性小说与之联系并发展,并深入了解这场运动的根源,这在对环境有争议的未来中具有重要意义。 Le Guin和Atwood是早熟的生态女性主义者,其早期作品处理的主题包括技术,性别,非军事化,历史以及土地和人类的统治。由于这些问题是当代生态女性主义的基础问题,因此对这些作者的分析提供了生态女性主义的来龙去脉以及我们可以预期的走向的背景。

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