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Nicaragua, Art and Social Change: Interviews with Three Artists

机译:尼加拉瓜,艺术与社会变革:三位艺术家的访谈

摘要

Five years after their participation in the successful 1979 revolutionary struggle against the Somoza dictatorship, the artists of Nicaragua continue to be an effective force in redefining, shaping and defending their countryu27s cultural heritage. In these years it has also become evident that the government continues to value and support all of the arts as a significant component in the formation of a national consciousness and identity. The data for the following paper is based on the author’s personal experiences in Nicaragua. Starting in 1981, four summers were spent interviewing artists, visiting the places where they worked, and talking to individuals in the governmental institutions that are responsible for the promotion of the arts in Nicaragua. In this country of approximately 2.5 million people, 19% earn their livelihood as artists or artisans, of which 90% are women whose commitment to personal artistic development is matched by their commitment to the revolution. The situation in Nicaragua exemplifies the relationship of art to the process of social change.
机译:尼加拉瓜的艺术家参加1979年与索莫萨专政的成功革命斗争后的五年,尼加拉瓜的艺术家继续成为重新定义,塑造和捍卫本国文化遗产的有效力量。近年来,很明显,政府继续重视和支持所有艺术,将其作为形成民族意识和身份的重要组成部分。以下论文的数据基于作者在尼加拉瓜的个人经历。从1981年开始,我们花了四个夏天与艺术家进行面谈,参观他们的工作地点,并与负责尼加拉瓜艺术推广的政府机构中的个人进行交谈。在这个大约有250万人的国家,有19%的人以艺术家或工匠为生,其中90%是女性,她们对个人艺术发展的追求与对革命的追求相匹配。尼加拉瓜的局势例证了艺术与社会变革过程之间的关系。

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    LaDuke Betty;

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