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COMBAT DANCE:A CREATIVELY HOLISTIC APPROACH TO MOVEMENT PERFORMANCE ART

机译:战斗舞蹈:一种运动表演艺术的整体方法

摘要

u22Combat Danceu22 is an eclectic blend of combat and dance art forms combined and taught from the Fall 2001 to Spring 2003. As defined here, combat dance is a blend of techniques and principles gleaned from both unarmed and armed aspects of stage combat, martial arts (such as aikido and kung fu), modern dance and other expressive movements used to tell a story of conflict. Its primary purpose is to provide both actors and non-actors greater awareness and control of their bodies and to provide a range of creative avenues of expression. Combat dance gives the performers a unique and holistic set of exercises and skills that leave no part of the body, mind, or - even deeper - the spirit uninfluenced. The thesis begins with the vision and birth of the class, a description of the preparatory research, an analysis of the reasons for the class, and reflection, revelations, and realizations gained through teaching the class. The ultimate focus of this thesis is to aid anyone interested in any type of combat or dance-related movements: dancers, non-dancers, actors, non-actors, movement coaches, and even those in the fields of dance or drama therapy.
机译:u22Combat Dance u22是战斗和舞蹈艺术形式的折衷融合,从2001年秋季到2003年春季之间进行了结合和讲授。如此处所定义,战斗舞蹈融合了从阶段战斗的无武装和武装方面汲取的技术和原理,武术(如合气道和功夫),现代舞和其他表达冲突的故事的动作。它的主要目的是使演员和非演员都对自己的身体有更多的了解和控制,并提供一系列创造性的表达途径。搏击舞蹈为表演者提供了一套独特而全面的练习和技巧,这些技巧和技巧不遗余力地影响身心。本文从课堂的愿景和诞生开始,对预备性研究进行描述,对课堂原因进行分析,并通过课堂教学获得反思,启示和认识。本文的最终重点是帮助对任何与战斗或舞蹈相关的运动感兴趣的人:舞者,非舞蹈演员,演员,非演员,运动教练,甚至是舞蹈或戏剧治疗领域的人。

著录项

  • 作者

    Anderson Raymont Lee;

  • 作者单位
  • 年度 2003
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