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(De)Fencing the Cultural Commons Through a (De)Constructive Media Art Curriculum

机译:通过(建构性)媒体艺术课程(文化领域)击剑文化共同体

摘要

Rampant consolidation in the media industry has led to an ever-increasing push to extend the breadth and scope of copyright law. A deliberate and systematic effort to restrict access to cultural texts that were previously accessible has led to a creative climate that is increasingly intimidating to young artists. The personal computer provides students the ability to re-open these texts and reclaim their right to fairly use the cultural artifacts of their surroundings as building blocks of expression. The personal computer can deconstruct closed media texts into malleable parts of visual language that students can reconstruct into new texts. These new texts have the potential to transgress the cultural demarcation erected by big media’s successful lobbying of the US Senate for restrictive copyright legislation.
机译:媒体行业的猖consolidation整合导致不断扩大版权法范围和范围的推动。刻意和系统的努力来限制对以前可以访问的文化文本的访问,从而导致了一种创造性的气氛,这种气氛越来越使年轻艺术家感到恐惧。个人计算机使学生能够重新打开这些文本,并收回他们公平地使用周围文化文物作为表达基础的权利。个人计算机可以将封闭的媒体文本解构为可视语言的可塑部分,学生可以将其重构为新文本。这些新文本有可能超越大型媒体成功游说美国参议院限制性版权立法所建立的文化界限。

著录项

  • 作者

    Ciampaglia Steven;

  • 作者单位
  • 年度 2012
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  • 原文格式 PDF
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  • 入库时间 2022-08-20 20:52:44

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