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Science fictional: the aesthetics of science fiction beyond the limits of genre

机译:科幻小说:超越类型限制的科幻小说美学

摘要

Science Fictional: The Aesthetics of SF Beyond the Limits of Genre proposes that contemporary culture is a spatial experience dominated by an aesthetic of science fiction and its quasi-generic form, the ‘science fictional’. The study explores the connective lines between cultural objects such as film, video art, painting, illustration, advertising, music, and children’s television in a variety of mediums and media coupled with research that conflates aspects of critical theory, art history and cultural studies into a unique discourse. The study argues that three types of cultural effects – reverberation, density and resonance – affect cultural space altering and changing the interpretation and influence of a cultural object. Through an account of the nature of the science fictional, this thesis argues that science fiction as we understand it, and how it has been conventionally conceived, is in fact the counter of its apparent function within wider culture. While terms such as “genre” and “mainstream” suggest a binary of centre and periphery, this thesis demonstrates that the quasi-generic is in fact the dominant partner in the process of cultural production.
机译:科幻小说:《科幻小说的超越范畴的美学》提出,当代文化是一种空间体验,由科幻小说及其准通用形式“科幻小说”美学主导。这项研究探索了多种媒介和媒体中文化对象(例如电影,录像艺术,绘画,插画,广告,音乐和儿童电视)之间的联系,并结合了批判理论,艺术史和文化方面的研究研究独特的话语。研究认为,文化影响的三种类型-混响,密度和共鸣-影响文化空间的改变以及文化对象的解释和影响。通过对科幻小说的性质的解释,本论文认为,我们理解的科幻小说以及它如何被常规地构想,实际上是其在更广泛的文化中的明显功能的反击。虽然“流派”和“主流”等术语暗示着中心和外围的二元关系,但本论文表明,准泛型实际上是文化生产过程中的主要伙伴。

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