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“Creep-out” versus “gross-out” : horror movies at the Australian Box Office

机译:“疯狂”与“疯狂”:澳大利亚票房的恐怖电影

摘要

Australia is a difficult market for horror movies. Particularly in recent years, Australia has been regarded as a graveyard for many horror films released theatrically. This is not to say that Australians have not enjoyed the occasional scary movie on the big screen. But what types of horror films have been popular with Australian audiences at the box-office remains poorly understood. ududHorror films revolve around monsters, the fear of death and the transgression of boundaries, and they aim to scare audiences through ‘gross-out’ or ‘creep-out’ factors (some combine both). The former refers to shocking and graphic portrayals of gore and violence – as seen in the sadistic torture of backpackers in Hostel (Eli Roth, 2005), which depicts limbs being hacked off and eyes being cut from nerve endings. The latter refers to the crafting of fear through mood and suspense without explicit bloodshed, achieved brilliantly in The Sixth Sense’s (M Night Shyamalan, 1999) chilling encounters with ‘dead people’. In creep-out films, it is often what viewers don’t see that is most disturbing. ududUsing an analysis of the top fifty films each year at the Australian box office from 1992 to 2012, this article identifies the most successful horror movies over this period to ascertain what types of horror movies – with reference to creep-out and gross-out factors – have been most popular with domestic audiences.
机译:澳大利亚是恐怖电影的艰难市场。特别是近年来,澳大利亚已被视为许多戏剧上映的恐怖电影的墓地。这并不是说澳大利亚人没有在大屏幕上欣赏偶尔的恐怖电影。但是,什么类型的恐怖电影在票房上受到了澳大利亚观众的欢迎,仍然知之甚少。 ud ud恐怖电影围绕着怪物,对死亡的恐惧和对边界的侵犯而展开,它们的目的是通过“毛骨悚然”或“蠕变”因素(有些兼而有之)来吓audience观众。前者指的是血腥和暴力的令人震惊和生动的刻画-如《旅馆》中背包客的虐待般的折磨所看到的那样(埃利·罗斯,2005年),其中描绘了四肢被砍掉,眼睛被神经末梢割断的情况。后者指的是在没有明显流血的情况下通过情绪和悬念来制造恐惧,这在第六感(M Night Shyamalan,1999)与“死人”的遭遇中表现出色。在令人毛骨悚然的电影中,观众通常看不到最令人不安的地方。 ud ud通过对1992年至2012年澳大利亚票房收入每年前50部电影的分析,本文确定了这段时期内最成功的恐怖电影,以确定哪些类型的恐怖电影-涉及到恐怖片和毛片外因素-在国内观众中最受欢迎。

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    Ryan Mark David;

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