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Are Movie Theatres doomed? Do exhibitors see the big picture as theatres lose their competitive advantage?

机译:电影院注定要失败吗?剧院失去竞争优势时,参展商是否会看到全局?

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摘要

Movie theaters in the U.S. may have recently ended a period of crisis but this paper argues that major problems are not over for the industry. Most movie theaters in the multiplex era have adopted a remarkably similar strategy which is also very vulnerable to recent trends such as the explosion of home cinema, pay TV, VOD, discounting by mass merchandisers of DVDs, computer games and the collapse of video windows. Just as technological convergence has created a challenge for movie theatres, as it has in the past, so can new technologies and creative use of assets combined with multiple target marketing offer a counter measure for at least some movie theatres – until the next challenge. What is unlikely to succeed is more of the same, especially when so many multiplex chains offer the same format as others, appear to adopt a narrow definition of what business they are in and manifest a one size should fit all approach to customers. The industry has employed differentiation and niche marketing much less than other industries. The very diversity of strategies needed means that all cannot be explored in this paper which will focus on two new technologies from the IMAX corporation, DMX and MPX, as an example of how a theatre operator might counter audience declines.
机译:美国的电影院最近可能已经结束了一段危机,但是本文认为该行业的主要问题尚未结束。多元化时代的大多数电影院都采用了非常相似的策略,该策略也很容易受到近期趋势的影响,例如家庭影院的爆炸式增长,付费电视,VOD,DVD的大量销售商打折,计算机游戏和视频窗口的崩溃。就像过去一样,技术融合给电影院带来了挑战,新技术和资产的创造性利用与多重目标市场的结合也可以为至少一些电影院提供应对措施,直到下一个挑战。成功的可能性几乎是相同的,尤其是当如此多的复用链提供与其他复用链相同的格式时,似乎对它们所从事的业务采取了狭义的定义,并表明一种规模应该适合所有客户的方法。与其他行业相比,该行业采用差异化和细分市场的方式要少得多。所需的非常多样化的策略意味着本文无法探讨所有策略,而本文将重点介绍IMAX公司的两种新技术DMX和MPX,以作为剧院运营商如何应对观众数量下降的一个示例。

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