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La Gamme jaune de František Kupka : un exemple de synesthésie

机译:FrantišekKupka的黄线:联觉的一个例子

摘要

The Yellow Spectrum by František Kupka The Yellow Spectrum (1907, National Museum of Modem Art, Pompidou Centre, Paris) by F. Kupka, the key work of his figurative period, is a typical example of an approach based on synesthesia. As its highly descriptive title indicates, Kupka hère launches himself deeper into a study of colour, applying the whole yellow-orange spectrum present in the theory of colors. Nevertheless he attaches to these colors a symbolic and 'narrative' meaning in which he follows the logic of the psychological and physiological effects of color. Moreover, many preliminary sketches, as well as the second version of this painting (Museum of Fine Arts, Houston) are fraught with literary connotations. It is very likely that this work is an imaginary and highly symbolic portrait of Charles Baudelaire as a poet able to evoke and 'visualize' through his work (in particular in Les Paradis artificiels [Artificial Paradises] and in his French translations of Edgar Allan Poe) a whole spectrum of internal visions.
机译:弗朗西斯科·库普卡(FrantišekKupka)创作的《黄谱》(Yellow Spectrum)(1907年,巴黎蓬皮杜艺术中心国家现代艺术博物馆,巴黎)是他具象时期的重要作品,是基于联觉的典型例子。正如其高度描述性的标题所表明的那样,库普卡·埃(Kupkahère)运用色彩理论中呈现的整个橙橙色光谱,将自己更深入地研究了色彩。尽管如此,他还是将这些色彩赋予了象征性和“叙事性”的含义,其中他遵循了色彩的心理和生理效应的逻辑。此外,许多初步的素描以及这幅画的第二版(休斯顿美术博物馆)都充满了文学内涵。这部作品很可能是对查尔斯·鲍德莱尔(Charles Baudelaire)的虚构和高度象征性肖像,他是一位能够通过其作品唤起并“形象化”的诗人(尤其是《天堂》(Les Paradis artificiels)和他的埃德加·艾伦·坡(Edgar Allan Poe)的法文译本。 )整个内部视野。

著录项

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    Markéta Theinhardt;

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  • 年度 2002
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  • 原文格式 PDF
  • 正文语种 fre
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