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German Immigrants and the Birth of the Piano in Great Britain: Bach, Zumpe, their friends and the square piano

机译:德国移民和英国钢琴的诞生:巴赫(Bach),祖普(Zumpe),他们的朋友和方形钢琴

摘要

In the late 1760s small "square pianos" began to appear in significant numbers in Great Britain. They soon enjoyed an enormous success and were produced in great quantities. They were widely exported all over Europe. The role of German immigrants, notably Johannes Zumpe and Johann Christian Bach, is especially significant in the early technical and artistic history of the new instrument. Square pianos were comparatively cheap, which made them accessible to music-loving amateurs from the middle as well as the upper class. The aim of this paper is to seek the aesthetic as well as social causes of this spectacular success, while focusing on the role of the small community of German musicians and craftsmen living in London.
机译:在1760年代后期,小型“方形钢琴”开始大量出现在英国。他们很快获得了巨大的成功,并大量生产。它们被广泛出口到整个欧洲。在新乐器的早期技术和艺术史上,德国移民特别是Johannes Zumpe和Johann Christian Bach的作用尤其重要。方形钢琴相对便宜,这使得中产阶级和上层阶级的音乐爱好者都可以使用它们。本文的目的是寻求这种成功的美学和社会原因,同时关注居住在伦敦的德国音乐家和工匠的小团体的作用。

著录项

  • 作者

    François Portier;

  • 作者单位
  • 年度 2007
  • 总页数
  • 原文格式 PDF
  • 正文语种 eng
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