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Opening the Shrine of the Mundaneum: The Positivist Spirit in the Architecture of Le Corbusier and his Belgian ‘Idolators’

机译:打开世俗的神殿:勒·柯布西耶(Le Corbusier)和他的比利时“偶像”建筑中的实证主义精神

摘要

In 1928 Le Corbusier drafted detailed plans for a centre of information, science, and education, called the Mundaneum, to complement the headquarters of the League of Nations in Geneva. The allegedly historicist and academic traits and quasi-religious tendencies of these plans triggered fierce reactions by critics such as Karel Teige and El Lissitzky. Le Corbusier in turn answered these critiques in a long essay entitled "In Defense of Architecture". This paper aims to shed new light on the Mundaneum debate by exploring the programme of the Mundaneum as it was defined by the Belgian documentalist and utopian internationalist Paul Otlet (1868-1944) and translated in architecture by Le Corbusier. Otlet conceived the Mundaneum as at the same time a concept of a new kind of information service that would eventually absorb libraries, and a complex of institutions that he and Henri La Fontaine directed and had brought together in the prestigious Palais du Cinquantenaire in Brussels. The Mundaneum was his lifelong project in which the design of Le Corbusier was only one, although an important, moment in its development, followed by a series of designs made by Belgian modernist architects in the 1930s and 1940s. By entering into a dialogue with the history of information science, the history of internationalism, and especially the history of positivism in all its spirituality, this paper reinvestigates the symbolism of the spiralling pyramid of the Mundaneum as designed by Le Corbusier and his followers.
机译:1928年,勒·柯布西耶(Le Corbusier)起草了一个名为Mundaneum的信息,科学和教育中心的详细计划,以补充日内瓦国际联盟的总部。这些计划的所谓历史主义和学术特征以及准宗教倾向引发了诸如Karel Teige和El Lissitzky之类的批评家的激烈反应。反过来,勒·柯布西耶(Le Corbusier)在一篇题为《捍卫建筑》的论文中回答了这些批评。本文旨在通过探索由纪录片和乌托邦国际主义者保罗·奥特莱特(Paul Otlet)(1868-1944)定义,并由勒·柯布西耶(Le Corbusier)在建筑学中翻译的《世俗》节目,为世人辩论提供新的思路。 Otlet认为,Mundaneum既是一种新的信息服务概念,最终将吸收图书馆,也是他和Henri La Fontaine领导并汇集到享有声望的布鲁塞尔Palais du Cinquantenaire的综合机构。 Mundaneum是他的终生项目,其中勒·柯布西耶(Le Corbusier)的设计只是一个重要的时刻,尽管它是其发展的重要时刻,其后是1930年代和1940年代比利时现代主义建筑师设计的一系列设计。通过与信息科学的历史,国际主义的历史,尤其是实证主义的所有灵性历史进行对话,本文重新研究了勒·柯布西耶及其追随者设计的世俗螺旋金字塔的象征意义。

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    Van Acker Wouter;

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  • 年度 2013
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