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What lies beneath KIVIKASA and what is sound art? - KIVIKASA as a step to undersntand sound art and sound art as a way to understand KIVIKASA

机译:KIVIKASA之下是什么,什么是声音艺术? -KIVIKASA是理解声音艺术的一步,而声音艺术是理解KIVIKASA的一种方式

摘要

In the Spring of 2014 my colleague, Saku Kämäräinen, and I created a sound artwork for the Me- dia Lab students’ group-exhibition in Tokyo. In the aftermath of the exhibition I started to ponder how our artwork relates to the context of sound art and my personal uncertainty about the whole field of sound art in general. I started reading literature about sound art and the ideas that I was exposed to and the beginning of a collaboration through internship with sound artist Ariel Busta-mante, made me ask the question from myself — “What is sound art and what kind of sound art KIVIKASA is?”My master thesis walks through this aforementioned chain of events utilizing the method of practice based research in which the subject of inquiry is the artwork, its creator and the whole process.I will reflect my personal background motivations and attitudes, review events and ideas that have influenced the creative process. Through these intentions and believes I will review and reflect the creative process — both design and construction process by revealing what lies beneath KIVIKASA until the moment when the first question was asked that ignited this writing process.Then I will be transported into the world of sound art literature to explore what sound art is, or what it could be. This is done by reviewing history of sound art and some of the ideas that are expressed in the literature, for example listening and the habit of sound art sticking with its own materiality of sound. In the end I will be brought back to analyse and inspect the artwork in the light of new acquired understanding from the literature. I am trying to find understanding to the question: “What kind of sound art KIVIKASA is?”In the conclusion I try to search understanding about how the writing process, literature and the whole process affected me. Underneath this process lies a will to understand something that I don’t yet understand.
机译:2014年春季,我的同事SakuKämäräinen和我为在东京举行的媒体实验室学生团体创作的声音作品。展览结束后,我开始思考我们的作品与声音艺术的背景如何相关,以及我个人对声音艺术整个领域的不确定性。我开始阅读有关声音艺术及其所接触思想的文献,并开始通过与声音艺术家Ariel Busta-mante的实习合作,使我向自己提出了一个问题:“什么是声音艺术,什么样的声音艺术? KIVIKASA是?”我的硕士论文运用基于实践的研究方法来研究上述事件链,其中研究的主题是艺术品,其创作者和整个过程。我将反映我的个人背景动机和态度,回顾事件和影响创作过程的想法。通过这些意图和信念,我将通过揭示KIVIKASA背后的内容,直到提出第一个问题的过程点燃了写作过程,从而回顾并反映了创作和设计过程-设计和建造过程。然后,我将被带入声音世界艺术文学,探索什么是声音艺术,或者声音艺术可能是什么。这是通过回顾声音艺术的历史和文献中表达的一些想法来完成的,例如,聆听和声音艺术的习惯,即坚持自己的声音实质。最后,我将根据对文学的新认识重新回到分析和检查艺术品的角度。我试图找到对以下问题的理解:“ KIVIKASA是什么声音艺术?”最后,我试图寻求对写作过程,文学和整个过程如何影响我的理解。在此过程的基础上,有一个理解我尚未理解的东西的意愿。

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    Leinonen Ari-Pekka;

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  • 年度 2015
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