The aim of the present study is to show that the poetic language of Slovo o polku Igorevě can be traced back to the common Indo-European poetic thesaurus. The study focuses on the hymn-like fragments of the Slovo: Yaroslavna’s lament and Sviatoslav’s golden word. The novelty of the approach is the special attention to the sequences of morphemes in the texts that can be distinguished as reflections of the Indo-European hymn (besides Slovo’s fragments, also Ukrainian folklore texts, Homeric prayers, Homeric hymns, Orphic hymns, and Old Latin charms were analyzed). The grammatical comparison showed that each compositional part of the hymns has its own characteristic morphological features of common Indo-European origin. Furthermore, morphological devices are chained in series that are stable and function as base for the composition of the hymn. The use of morphological formants should have been determined by oral tradition because from the range of semantically close formants of a distinctive language only one is chosen, cognates of which are used in other analyzed traditions. It leads to the conclusion that orality and authenticity of the Slovo’s hymn-like fragments are supported by the common Indo-European morphological chains.
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机译：本研究的目的是表明Slovo o polkuIgorevě的诗歌语言可以追溯到印欧语共同的词库。这项研究的重点是Slovo的赞美诗片段：Yaroslavna的哀叹和Sviatoslav的金字。该方法的新颖之处在于特别注意了文本中的语素序列，这些词素可以区分为印欧语赞美诗（除了Slovo的片段，乌克兰民间传说文本，Homeric祷告，Homeric赞美诗，Orphic赞美诗和Old赞美诗之外）。拉丁魅力进行了分析）。语法比较表明，赞美诗的每个组成部分都有其共同的印欧语系起源的独特形态特征。此外，形态学装置串联连接，这些装置稳定并用作赞美诗组成的基础。形态共振峰的使用应该由口头传统来决定，因为从一种独特语言的语义紧密共振峰的范围中，只选择了一种，而其同源词则用于其他分析的传统中。它得出的结论是，斯洛沃赞美诗片段的口头性和真实性得到了印欧共同形态学链的支持。
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