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An Absent City: Enigmatic Spatial Representations Of Buenos Aires In Literature, Film And Comics

机译:一个缺席的城市:布宜诺斯艾利斯在文学,电影和漫画中的神秘空间表现

摘要

The objective of this dissertation is to analyze uncanny and enigmatic manifestations of space in representations of Buenos Aires. This analysis delineates the metaphysical nature of the spaces described and enables me to formulate an epistemic negative of urban ontology. The primary focus of this approximation is the enigmatic representations of Buenos Aires found in narrative, comics and film. I employ the term 'enigmatic' to describe urban phenomena that do not fall within the expected and logical behavior of spatial configuration within an urban matrix. While the causality and volition of these phenomena remains hidden due to their metaphysical nature, the observable events that manifest themselves in the representations allow an approximation to that which is not analyzable. The combination of the observable events assembles to create an ontological silhouette or epistemic negative. This dissertation will analyze three different phenomena in particular that are reiterated frequently within enigmatic representations of Buenos Aires: (1) inescapable cities, (2) shadow cities and (3) anthropomorphic and topomorphic cities. Inescapable cities are those that confine the inhabitant within Buenos Aires due to a number of phenomena; from labyrinthine topologies and infinite mathematical systems to limitless urban matrixes that repeat themselves unendingly. Shadow cities are the doppelgangers of urban space; spaces that share uncanny similarities and traits that trigger recognition, but the cognitive process remains incomplete. Shadow cities can be stable and palimpsestic, as well as unstable and anachronistic. Anthropomorphic cities are those that acquire certain characteristics of their inhabitants, whether it is physiological or psycho-topological. In the case of topomorfosis, the process and ontological flow is reversed; the inhabitants acquire spatial traits. In this manner the individual acts as an anthrotopological record, registering aspects such as volition and the extension of urban representation.
机译:本文的目的是分析布宜诺斯艾利斯表征中空间的神秘和神秘表现。这种分析描绘了所描述空间的形而上学性质,使我能够提出城市本体论的认识论否定。这种近似的主要焦点是在叙事,漫画和电影中发现的布宜诺斯艾利斯的神秘表现形式。我使用“神秘”一词来描述那些不属于城市矩阵内空间配置的预期和逻辑行为的城市现象。虽然这些现象的形而上性质使这些现象的因果关系和隐性保持隐藏,但在表示形式中表现出来的可观察事件却允许近似于无法分析的事件。可观察事件的组合会组合在一起以创建本体轮廓或认知否定。本文将分析在布宜诺斯艾利斯的神秘再现中经常重申的三种不同现象:(1)不可避免的城市,(2)影子城市,(3)拟人和拟人城市。不可避免的城市是由于种种现象将居民限制在布宜诺斯艾利斯内的城市。从迷宫般的拓扑结构和无限的数学系统,到不断重复的无穷无尽的城市矩阵。影子城市是城市空间的混血儿。具有令人难以置信的相似性和特征触发识别的空间,但认知过程仍然不完整。影子城市可以是稳定的和半衰落的,也可以是不稳定的和过时的。拟人化城市是指具有一定居民特征的城市,无论是生理上还是心理上的拓扑。在拓扑畸形的情况下,过程和本体流程相反。居民获得了空间特征。以这种方式,个人充当人类学记录,记录诸如意志和城市代表性扩展等方面。

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    Wilson Michael;

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  • 年度 2009
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