Hegemonic Resistance in Hip-hop Music: A Gramscian Rhetorical Criticism of Tupac Shakur

摘要

This project examines the rhetorical elements in the work of Tupac Shakur that provide the capacity for resistance against hegemonic conditions of oppression. A popular, socially-conscious rapper of the 1980s and 1990s, Shakuru27s music opened a window not only for others to understand the social injustices facing Black Americans, but provided Blacks living in conditions of poverty and oppression with a voice in society. Using a Gramscian lens of rhetorical criticism, this study examines the neo-marxist elements of hegemonic structure present in select tracks produced during Shakuru27s lifetime. This analysis explores the rhetorical strategies deployed by Shakur to bring awareness to these hegemonic injustices as well as investigates the tactics offered by Shakur in his music to encourage a movement of social change. Moreover, this study discusses the influences of the hip-hop artist Tupac Shakur both during, and after his death along with develops an understanding for the use of hip-hop music as an effective method of communicating social conditions of a given community.