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Adding to the viola repertoire by arranging: A study on methods of arranging music for viola from clarinet, with an original arrangement of the Saint-Saens Clarinet Sonata in E-flat, Op. 167

机译:通过编排增加中提琴曲目:研究单簧管中提琴音乐编排方法的方法,并以Saint-Saens单簧管奏鸣曲的原始编曲在E-flat,Op。中进行。 167

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摘要

The purpose of this document is to present research on methods of arranging music for viola and piano (or viola and orchestra) from music originally written for clarinet and piano (or clarinet and orchestra). Subjects of research include arrangements made by the composer as well as those made by other arrangers. Principal works studied include the Brahms Clarinet Sonatas Op. 120, Nos. 1 and 2, and the Mozart Clarinet Concerto in A. Examples are also included from other relevant works fitting the criteria. Following the analysis on arranging techniques, I have used knowledge gained from my research to prepare an arrangement for viola of the Saint-Saens Clarinet Sonata in E-flat, Op. 167. Saint-Saens, who wrote no solo music for the viola, wrote many pieces for both the violin and the cello, some of which are standard in the solo repertoire for these instruments. Since there is a dearth of viola music by romantic composers, a Saint-Saens arrangement will help fill a gap in the solo repertoire for the viola. This sonata has qualities that make it an ideal candidate for a successful arrangement for viola. Following this project, I will attempt to publish the arrangement, so that it may be available to violists around the country.
机译:本文档的目的是从最初为单簧管和钢琴(或单簧管和管弦乐队)创作的音乐中,介绍有关为中提琴和钢琴(或中提琴和管弦乐队)安排音乐的方法的研究。研究的主题包括作曲家和其他编曲家所做的安排。研究的主要作品包括勃拉姆斯单簧管奏鸣曲作品。 120、1号和2号以及A中的莫扎特单簧管协奏曲。其他符合标准的相关作品中也包括示例。经过对编曲技术的分析,我利用从研究中获得的知识为E-flat,Op中的Saint-Saens单簧管奏鸣曲的中提琴准备了编曲。 167. Saint-Saens没有为中提琴写独奏音乐,而是为小提琴和大提琴写了许多乐曲,其中一些是这些乐器的独奏曲目中的标准。由于浪漫作曲家缺乏中提琴音乐,因此Saint-Saens的安排将有助于填补中提琴独奏曲目中的空白。这种奏鸣曲具有使其成为中提琴成功安排的理想选择。在完成这个项目之后,我将尝试发布此安排,以便全国各地的暴力主义者都可以使用。

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    Swanson Christina Marie;

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  • 年度 2003
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