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Error detection abilities of conducting students under four modes of instrumental score study.

机译:在四种乐器评分学习模式下引导学生的错误检测能力。

摘要

This study investigated the effect of four score study styles--no score study, study with score alone, study with score and a correct aural example, and score study at the electronic keyboard--on the pitch and rhythm error detection abilities of beginning conducting students. Subjects were 30 members of undergraduate beginning conducting classes at three midwestern universities. Four tests were developed, each having 31 four- to six-measure excerpts from band literature. Each excerpt contained only one error. Excerpts were grouped according to difficulty and assigned to tests in a modified random manner to facilitate equality of difficulty between sets. Within each test, excerpts were arranged in order of increasing difficulty and rescored to contain from one to eight parts. A counterbalanced design was utilized featuring a Latin Square into which the four score study styles were entered. Over the course of four sessions subjects received all four styles and all four tests. The orders in which subjects received score study styles were assigned on a rotational basis. Each subject within a university received the tests in the same order, but this order varied between universities. Six Hypercard © (Atkinson, 1987-90) stacks were developed on a Macintosh LC computer for presentation of the tests, management of the study, and data collection. Excerpts were played through MIDI keyboards using sampled wind instrument sounds. Study with the score and a correct aural example was found to be significantly more effective than either study with the score alone or no study. No significant difference was found between score study at the keyboard and any other score study style. There were significant differences in test scores attributable to the number of parts in examples. Generally, error detection became more difficult as the number of parts in examples increased. There were no significant differences in test scores attributable to the order of presentation of score study styles, individual example sets, or groups/order of presentation of example sets. There were significant differences in means score study time per session attributable to score study style, and in mean total time per session attributable to session number.
机译:这项研究调查了四种分数学习方式-无分数学习,仅以分数学习,以分数和正确的听觉实例进行学习以及在电子键盘上进行分数学习-对开始进行音高和节奏错误检测能力的影响学生们。主题是30名本科生的成员,他们开始在三所中西部大学进行教学。开发了四个测试,每个测试都有乐队文献中的31个四到六小节的节录。每个摘录仅包含一个错误。摘录根据难度进行分组,并以改进的随机方式分配给测试,以促进各组之间的难度相等。在每个测试中,摘要按难度增加的顺序进行排列,并按分数分为1至8个部分。利用了带有拉丁方格的平衡设计,在其中输入了四种评分学习风格。在四节课中,受试者接受了全部四种风格和全部四项测试。受试者接受评分学习方式的顺序是轮流分配的。大学中的每个科目都以相同的顺序接受测试,但是大学之间的顺序有所不同。在Macintosh LC计算机上开发了六个Hypercard©(Atkinson,1987-90)堆栈,用于介绍测试,研究管理和数据收集。摘录是使用采样的管乐器声音通过MIDI键盘播放的。发现使用分数和正确的听觉示例进行的研究比仅使用分数进行研究或不进行任何研究都有效得多。在键盘上的乐谱学习与任何其他乐谱学习风格之间没有发现显着差异。由于实例中的零件数量,测试分数存在显着差异。通常,随着示例中零件数量的增加,错误检测变得更加困难。测试分数没有显着差异,这可归因于分数学习方式的呈现顺序,单个示例集或示例集的组/呈现顺序。归因于评分学习方式的每个会话的平均评分学习时间和归因于会话数的平均每次会话总时间存在显着差异。

著录项

  • 作者

    Crowe Don Raymond.;

  • 作者单位
  • 年度 1994
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
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