The purpose of this study is to investigate the management of tessitura in the choir though the use of choral pivoting in Frank Martin's Messe pour double choeur a cappella (1922), since the ranges of a vast number of choral works extend beyond the limits of what the American Academy of Teacher's of Singing have deemed "best" and "safest." According to the American Academy of Teachers of Singing, many great teachers of singing hesitate to allow their "pupils to participate in choral singing because experience has proven that, due to the unusually high tessituras dominating the arrangements of many choral works, harm is done to the voice. "This study includes an in-depth summary of the anatomy and physiology of the vocal mechanism in specific registers and the potential for harm, vocal strain, or vocal fatigue when singers must sing in an extremely high or low tessitura for an extended amount of time. Three methods of vocal pivoting are examined and explanations given as to how choral pivoting may be applied in Messe pour double choeur a cappella.
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机译：这项研究的目的是通过在弗兰克·马丁（Frank Martin）的Messe pour double choeur a cappella（1922）中使用合唱旋转来研究合唱团中tessitura的处理，因为大量合唱作品的范围超出了其范围美国歌唱教师学院认为“最好”和“最安全”。根据美国歌唱教师学院的说法，许多优秀的歌唱教师都毫不犹豫地允许他们的“小学生”参加合唱，因为经验证明，由于异常高的tessituras支配着许多合唱作品的编排，对“这项研究包括对特定寄存器中声音机制的解剖学和生理学的深入总结，以及歌手必须在极高或极低的tessitura中进行长时间唱歌时可能产生的伤害，声音疲劳或声音疲劳的摘要。多少时间。考察了三种人声旋转方法，并给出了如何在无伴奏合唱倒无伴奏合唱中应用和声旋转的解释。
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