This document examines Stravinsky's treatment and use of the bassoon in three of his chamber works: L'Histoire du Soldat, Octet, and Septet. The research contained within will, in part, assess the extent to which Stravinsky has affected the development of the bassoon's role in a chamber ensemble, and will provide a general evaluation of his varied treatment of the bassoon in terms of technique, range, articulation, and ensemble. Another aspect of this study considers the possibility that Stravinsky wrote for the French system bassoon. A comparison of the two types of bassoon systems will demonstrate why Stravinsky's works seem so ungrateful to many modern bassoonists who have been trained on the German system instrument.
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机译：该文件在斯特拉文斯基的三本室内乐作品中考察了斯特拉文斯基对巴松管的处理和使用：L'Histoire du Soldat，Octet和Septet。其中包含的研究将部分评估Stravinsky影响巴松管在室内合奏中的角色发展的程度，并将就其对巴松管的不同处理方式，技术，范围，发音，和合奏。本研究的另一个方面考虑了斯特拉文斯基为法国系统巴松管撰写的可能性。两种类型的低音管系统的比较将证明，斯特拉文斯基的作品为什么对许多接受过德国系统乐器培训的现代低音管演奏家如此忘恩负义。
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