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The Violin Concerto and the Second Symphony by Johannes Brahms: Musical Resemblance as a Result of the Proximity in their Dates of Composition

机译:约翰内斯·勃拉姆斯的小提琴协奏曲和第二交响曲:作曲日期临近的音乐相似之处

摘要

There are many similarities between the Violin Concerto and Brahms's Second Symphony. Michael Musgrave notes this affinity in his book The Music of Brahms: "[N]o two works stand as close in time and character as the Second Symphony and the Violin Concerto, produced within a year in 1877 and 1878 respectively."The similarity of mood between the two works can be perceived at first listening, but because of the masterly way in which Brahms treats the musical material, I thought it necessary to examine both pieces in depth to uncover some specific musical features that make this so. The results of my own observations are contained in the present document.I explore Brahms's state of mind at the time he wrote the Second Symphony and the Violin Concerto explaining how this affects some of the musical choices in the two pieces. The third movements in both works shift from 3/4 to 2/4 and vice versa. The 2/4 sections have a folk-like quality in the style hongrois that contrast with the lyrical quality of the sections in 3/4. This common characteristic is examined. Finally, I study a rhythmic motive and linked it to a harmonic feature common in the two works. A brief history about the genesis of the Violin Concerto is included.
机译:小提琴协奏曲和勃拉姆斯的《第二交响曲》之间有许多相似之处。迈克尔·穆斯格雷夫(Michael Musgrave)在他的《勃拉姆斯音乐》一书中指出了这种亲和力:“两个作品在时间和角色上都与分别于1877年和1878年制作的第二交响曲和小提琴协奏曲一样近。”初听时可以感觉到两幅作品之间的气氛,但是由于勃拉姆斯对待音乐材料的熟练方式,我认为有必要对这两件作品进行深入研究,以发现使之如此的某些特定音乐特征。我自己的观察结果包含在本文档中。我探讨了勃拉姆斯在创作《第二交响曲》和《小提琴协奏曲》时的心态,解释了这如何影响这两首曲子中的某些音乐选择。两个作品中的第三乐章都从3/4移到2/4,反之亦然。 2/4片段具有hongrois风格的民间风格,与3/4片段的抒情品质形成对比。检验了这一共同特征。最后,我研究了一种节奏动机,并将其与两个作品中常见的和声特征联系起来。包括有关小提琴协奏曲起源的简要历史。

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    Flores Jose;

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  • 年度 2006
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