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And am I Born to Die. Original composition.

机译:我生来就是死。 原始成分。

摘要

This work, a requiem cantata for chorus and orchestra, is based in part on the shape-note hymn "Idumea". The first verse of "Idumea" ("And am I born to die...") is sung by the chorus at the conclusion of the first movement, which is a chorale prelude based on that hymn tune. The "Idumea" tune also appears in orchestral interludes in the middle and at the end of the composition. Although this composition is not based on one continuous narrative as are many cantatas, the opening chorale prelude and subsequent use of that initial material suggest a musical continuity reminiscent of the cantata. This composition was written as a memorial; the use of the "In Paradisum" chant from the Requiem Mass coupled with the elegiac setting of certain of the texts suggest both a literal and spiritual connection with the requiem. Excepting the opening movement, the texts and orchestral interludes are arranged in a progression leading from statements of youth to old age to death. This work, with a total duration of approximately thirty minutes, is in nine movements and is scored for the following forces: three flutes, two oboes, two clarinets, bass clarinet, two bassoons, four horns, three trumpets, two trombones, tympani, bass drum, handbells, SATB chorus, and strings.
机译:这项作品是合唱团和管弦乐队的颂赞曲,部分基于赞美诗“ Idumea”。在第一乐章结束时,合唱团演唱了“ Idumea”的第一节经文(“我是天生要死的……”),这是一首赞美诗的合唱序曲。 “ Idumea”乐曲也出现在乐曲中间和结尾的交响乐中。尽管这种作曲不像许多颂赞曲那样基于一种连续的叙述,但开头的合唱序幕和随后使用该原始材料的音乐连续性让人联想到颂赞曲。这个作品被写成纪念。将《安魂曲》中的“天堂”颂歌与某些文字的挽歌背景结合使用,暗示了与安魂曲的字面和精神联系。除了开幕式以外,文本和管弦乐队的插曲还按照从青年到老年再到死亡的过程进行排列。这项工作共耗时30分钟,共进行9个动作,并获得以下力量的评分:三个长笛,两个双簧管,两个单簧管,低音单簧管,两个大管,四个角,三个小号,两个长号,鼓鼓,低音鼓,手铃,SATB合唱和弦。

著录项

  • 作者

    Lesniaski David Allen.;

  • 作者单位
  • 年度 1988
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
  • 中图分类

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