After a historical survey of temperament in Bach's Well-Tempered Clavier by Johann Sebastian Bach, an analysis of the work has been made by applying a number of historical good temperaments as well as some recent proposals. The results obtained show that the global dissonance for all preludes and fugues in major keys can be minimized using the Kirnberger II temperament. The method of analysis used for this research is based on the mathematical theories of sensory dissonance, which have been developed by authors such as Hermann Ludwig Ferdinand von Helmholtz, Harry Partch, Reinier Plomp, Willem J. M. Levelt and William A. Sethares
展开▼
机译:约翰·塞巴斯蒂安·巴赫(Johann Sebastian Bach)对巴赫(Bach)的《脾气暴躁的调子》中的气质进行了历史调查后,通过运用一些历史上的良好气质以及最近的一些建议对作品进行了分析。所获得的结果表明,使用Kirnberger II气质可以最大程度地减小主要音调中所有前奏和弦的共鸣。用于这项研究的分析方法基于感官失调的数学理论,这些理论是由Hermann Ludwig Ferdinand von Helmholtz,Harry Partch,Reinier Plomp,Willem J.M.Levelt和William A.Sethares等人开发的。
展开▼