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Who is the actor and whose goals will be pursued? : rethinking some consepts of actor network theory

机译:谁是演员,将追求谁的目标? :重新思考演员网络理论的一些概念

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摘要

"Summarising the main ideas of actor network theory, Bruno Latour (1994; reprinted in Latour 1999, 174–215)1 proposes four concepts to describe the role of technological artefacts in society: (1) interrelated programmes of action, (2) action as a property of associations of heterogeneous entities, (3) black boxing and (4) inscription. In his contribution 'Translating Medical Practices' Bernhard Wieser (2006b) refers to these four concepts as a means to analyse prenatal testing and changes that occur in conjunction with the increased use of ultrasound screening and additional non-invasive examination methods. The interest he shares with the authors of actor network theory is to gain an understanding of the role of technology that is neither obscured by technological determinism nor by social determinism.Actor network theory—and still more Latour's pronounced position within this strand of thinking - contradicts common sense views about technological artefacts. The empirical examples Latour provides in his texts are carefully chosen to clarify his counterintuitive point of view - e.g. the street bump (Latour 1992, 244) or the Berlin key (Latour 1996a, 37–51). Likewise, he presents thought experiments that are carefully designed to tell his story—such as the hypothetical reconstruction of the programmes of action and anti-programmes concerning the issue of leaving hotel keys at the front desk (Latour 1991) or his considerations concerning the combined action of the shooter and the gun (Latour 1994). In order to illustrate his concepts Latour applies them to a purified reality. There is nothing wrong with this but in empirical reality, as Michel Callon (1992, 79) states, '(i)mpurity is the rule'. There, the ideal typical entities and events which provide the most striking evidence for the theorist's concepts are seldom to be found. However, it is with respect to understanding impure reality that the theoretical concepts have to prove their usefulness. In the case of Latourian actor network theory this means reconsidering some of its main concepts. I will do this by discussing Wieser's considerations about applying actor network theory to the case of prenatal testing." (author's abstract)
机译:“总结演员网络理论的主要思想,Bruno Latour(1994;在Latour 1999,174-215中重印)1提出了四个概念来描述技术制品在社会中的作用:(1)相互关联的行动纲领,(2)行动作为异质实体关联的属性,(3)黑框和(4)题词。Bernhard Wieser(2006b)在他的著作“ Translatoring Medical Practices”(翻译医学实践)中将这四个概念称为分析产前检查和发生的变化的一种手段。他与越来越多的超声筛查和更多的非侵入性检查方法结合使用,他与演员网络理论的作者们共同的兴趣是要获得对技术作用的理解,而这种作用既不会被技术决定论也不会被社会决定论所掩盖。网络理论-以及拉图尔在这一思路中的明显立场-与关于技术制品的常识观点相矛盾。我们精心挑选了我们在他的文章中提供的内容,以阐明他的违反直觉的观点-例如街道颠簸(Latour 1992,244)或柏林钥匙(Latour 1996a,37–51)。同样,他提出了精心设计的思想实验,以讲述自己的故事,例如关于将酒店钥匙留在前台问题的行动纲领和反纲领的假想重构(Latour 1991),或者他对合并方案的考虑。射手和枪支的动作(Latour 1994)。为了说明他的概念,拉图尔将其应用于纯净的现实。正如米歇尔·卡伦(Michel Callon,1992,79)所说,在经验现实中,这没有错,“杂质是规则”。在那里,很少能找到为理论家的概念提供最惊人证据的理想典型实体和事件。但是,对于理解不纯净的现实,理论概念必须证明其有用性。就拉图尔安演员网络理论而言,这意味着重新考虑其一些主要概念。我将通过讨论Wieser关于将演员网络理论应用于产前检查的考虑来做到这一点。”(作者的摘要)

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    Schulz-Schaeffer Ingo;

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