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Coi nostri strumenti: la tradizione delle Quattro Province dall'artigianato alla festa

机译:用我们的工具:从手工艺到聚会的四省传统

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摘要

Based on both original accounts and published documents, this work describes the musical tradition still flourishing in the Four Provinces Apennines, the mountain region between Genua and Oltrepò. Among its peculiar features are the piffero, a folk oboe constructed and played on the ground, the musa, a bagpipe that accompanied it in the past, and the accordion, that replaced the musa in the first half of the 20th Century. The origins of instruments and customs have to be related to materials used by rural culture and to commercial contacts conveyed by mule caravans, which traversed these mountains and connected them, especially since the Late Middle Ages, to Genua harbour and the Orient on one side and to French and Flemish fairs on the other side. For the last centuries we know about a school of piffero masters who have trasmitted their art orally until contemporary players. They still lead the village feasts in the high valleys, which express a sound sociality as well as the traditional practice of old songs - bujascas, stranots... - and dances - piana, alessandrina, monferrina, giga a due, giga a quattro, povera donna, perigordino, skipping polka, mazurka, waltz... The unexpected richness of such cultural and human heritage leads both to carry it out and to wonder about its roles in our globalized world looking for new identities.
机译:根据原始记录和已发表的文献,该作品描述了在热那亚和奥特列波之间的亚平宁山脉四省(仍在发展)的音乐传统。它的独特特征包括:piffero(一种在地面上建造和演奏的民间双簧管),musa(一种过去曾与之伴奏的风笛)以及手风琴,它在20世纪上半叶取代了musa。乐器和习俗的起源必须与乡村文化使用的材料以及m子商队运送的商业往来有关,,子商队横穿这些山脉并将它们连接起来,特别是自中世纪晚期以来,它们就与Genua港口和东方的一侧相连,到另一边的法国和佛兰芒博览会。在过去的几个世纪中,我们了解到一群佩菲罗(piffero)大师,他们通过口述传播艺术直到当代玩家。他们仍然引领着高山谷中的乡村盛宴,表达了良好的社交性以及古老歌曲-bujascas,stranots ...-和舞蹈-piana,alessandrina,monferrina,giga a due,giga quattro, povera donna,perigordino,跳过波尔卡,mazurka,华尔兹……这种文化和人类遗产的意外丰富导致人们去实施它,并想知道它在我们寻找新身份的全球化世界中的作用。

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