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Accountable artefacts: the case of the Carolan guitar

机译:责任文物:卡洛兰吉他案

摘要

We explore how physical artefacts can be connected to digital records of where they have been, who they have encountered and what has happened to them, and how this can enhance their meaning and utility. We describe how a travelling technology probe in the form of an augmented acoustic guitar engaged users in a design conversation as it visited homes, studios, gigs, workshops and lessons, and how this revealed the diversity and utility of its digital record. We describe how this record was captured and flexibly mapped to the physical guitar and proxy artefacts. We contribute a conceptual framework for accountable artefacts that articulates how multiple and complex mappings between physical artefacts and their digital records may be created, appropriated, shared and interrogated to deliver accounts of provenance and use as well as methodological reflections on technology probes.
机译:我们探索了如何将人工制品与数字记录相关联,这些数字记录了它们的去向,遇到的对象以及发生的事情,以及这如何增强其意义和实用性。我们描述了旅行声学技术以增强的原声吉他形式如何在访问房屋,工作室,演出,工作坊和课程时与用户进行设计对话,以及如何揭示其数字唱片的多样性和实用性。我们描述了如何捕获该记录并将其灵活地映射到物理吉他和代理人工制品。我们为负责的人工制品提供了一个概念框架,该框架阐明了如何在物理人工制品及其数字记录之间创建多重,复杂的映射,进行适当的分配,共享和询问,以提供出处和用途以及对技术探针的方法学反思。

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