The Spoleto Festival U.S.A. is a seventeen day international arts festival held annually in Charleston, South Carolina. While the Spoleto Festival U.S.A. perpetuates many of the cultural practices of the hegemonic community of Charleston, it also participates in negotiations of culture on the contemporary global stage. The Festival and the City rely on one another to constitute an identity that is consumable for a tourist and/or festival audience, and this relationship became even more urgent after Hurricane Hugo in 1989. Hurricane Hugo serves as a peripeteia of the self-fashioning and self-reflexive narrative shaped by the Charleston elite since the 18th century, and the Spoleto Festival U.S.A. serves as the agent of its denouement. This function of the festival impulse in the contemporary urban setting of Charleston, South Carolina will be the focus of this dissertation, which will examine the relationship between the "placedness" of the historical city and the "placelessness" of the festival atmosphere. This study will identify the features of the festival impulse that engage history, memory, and community and negotiate the territory between "place" and "space". It will compare the historical imaginary of the city with its contemporary identity as an international tourist destination and identify the strategies employed by the festival to destabilize homogenous worldviews and remap the geography of memory in Charleston's past and present.
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