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Making as a Learning Process: Identifying and Supporting Family Learning in Informal Settings

机译:作为学习过程进行:在非正式环境中识别和支持家庭学习

摘要

Making is characterized by engagement in creative production at the crossroads and fringes ofuddisciplines such as science, technology, engineering, art, and math, and has developed into a recognized social, technological and economic movement. As a creative activity at the intersection of the physical and digital, making integrates current trends in do-it-yourself culture,udtraditional craft, and emerging technologies, such as physical computing and fabrication. Making is currently being positioned as directly tied to children’s participation in science, technology, engineering and math, and to their orientation towards related workforceudpathways. There is a growing demand from educators and policymakers for definitions, measures, and guidelines of design that capture the qualities of making as a learning process. The articles that comprise this dissertation respond to this demand, mapping the practices andudperspectives of the maker community to foundational theories of the learning sciences. Theoretically, the work is based in the communities of practice framework. In adopting this approach, I am able to distinguish what making is as a learning process, through the identification of the core learning practices of the making community, and to explore how such learning can be evidenced in the context of a designed informal learning environment. First, I present a textual analysis of Make Magazine, the most popular textual source of maker community participation, wherein I identify seven core learning practices of the maker community, as well as notable attributes of featured makers, such as gender and disciplinary affiliation. Second, I extend this analysis to family participation in the designed informal learning environment of a children's museum, where I locate and trace evidence of learning through two case studies of young children’s contextualized participation in a family maker space. Findings show how young children meaningfully participate in making as a learning process by coordinating contextual resources to participate with intent and sophistication in maker community practices. I discuss key factors that influence children’s participation inudmaking as a learning process, as well as implications for leveraging making as a learning process for all.
机译:制作的特点是参与科学,技术,工程,艺术和数学等交叉学科和交叉学科的创造性生产,并发展成为公认的社会,技术和经济运动。作为在物理和数字技术交汇处的一项创造性活动,make整合了自己动手文化,传统工艺和新兴技术(例如物理计算和制造)中的当前趋势。目前,“制作”的定位与孩子们对科学,技术,工程和数学的参与以及他们对相关劳动力/通途的定位直接相关。教育者和决策者对定义,度量和设计准则的需求不断增长,这些定义,度量和准则都体现了制作作为一种学习过程的特质。构成本论文的文章回应了这一需求,将制造者社区的实践和观点映射到学习科学的基础理论。从理论上讲,这项工作是建立在实践社区框架内的。通过采用这种方法,我能够通过识别制作社区的核心学习实践来区分什么是学习过程,并探索如何在设计的非正式学习环境中证明这种学习。首先,我对制作杂志进行了文本分析,这是制作者社区参与的最流行的文本来源,其中,我确定了制作者社区的七种核心学习实践,以及特色制作者的显着属性,例如性别和学科隶属关系。其次,我将这种分析扩展到儿童博物馆设计的非正式学习环境中的家庭参与,通过两个关于幼儿在家庭营造空间中的情境化参与的案例研究,在这里找到并追溯学习的证据。研究结果表明,幼儿如何通过协调上下文资源,以有意和成熟的方式参与制造者社区实践,来有意义地参与学习过程。我将讨论影响儿童参与 udmaking作为学习过程的关键因素,以及将其作为所有人学习过程的影响因素。

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    Brahms Lisa;

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