Maroquinhas Fru-fru: uma abordagem contextual e interpretativa da ópera brasileira infantil

摘要

This study takes place a data collection from the research developed under the master degree in musical conducting at the Universidade Federal do Rio Grande do Norte - UFRN, a proposal that includes an approach of the camera opera Maroquinhas Fru-Fru, from the composer Ernest Mahle. For this, is delineated a panorama of Brazilian opera and your behavior in main opera houses of the country in the triennium 2014-2016, with the contextualization supported by authors like NEVES (1981), KATER (2001), HARTKOPF (2010), and VOLPE's compilation (2012), besides related the data collected from the Operabase plataform with the data of Brazilian cense 2010. The bibliographical research includes a very brief biographical account of the authors of the work (composer and librettist), besides reflections about the libretto and the music, addressing the discourse multivocality in the opera for children and the compositional tools used in it. Authors like SCHERCHEN (1933), RUDOLF (1993), BOWEN (2003) and others comes give support the statements about conducting techniques and their application in the operatic genre, as well as the specifics that the work requires of the conductor. Finally, in order to give vent to the musical practices of our time, which is revealed as an artistic need to be ingrained in the formation of new musicians and new audiences, we have an experience report of the preparatory stages of lyrical recital held in Campina Grande city, pointing to the implications of the assembly this work in northeastern Brazil and showing some of the constancies and inconstancy of a production in the current situation.