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Mídia e produção de sentido: a reconfiguração da indústria da música e as estratégias discursivas da associação cultural DoSol

机译:媒体和意义的产生:音乐产业的重组和文化协会DoSol的话语策略

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摘要

This dissertation aims to analyse discursive strategies from Dosol in order to understand thepresent elements to keep its audience and the marketing activities. Based on French line ofdiscourse analysis We look into the articles posted on its website at http://www.dosol.com.brwithin 2010 and We foment dialogues among music, media and communications researchers.Participant observation is slightly used on the critical perception and views of researchedobject to confront situations and step up, with theorists, the major part of closing remarks. Theobtained results indicate a website speech paved on afirmative policies and social capital,trying to keep/seduce its audience with the efect of the intended credibility meaning. Theeconomic factor wanders the speech so often that the speaker assumes a entrepreneur/culturalproducer. As a niche market, Dosol assumes a main role in music industry for releasing theregional and local cultural production. On the other hand, it is noticeable that its sustainabilityand media visibility, as it is seen today, depends on the laws tor promote Culture, whatdenotes a lack of a regional cultural policies to medium and long term at Rio Grande doNorte
机译:本文旨在对Dosol的话语策略进行分析,以了解其当前的构成要素,以保持其受众和营销活动。根据法语的语篇分析,我们调查了其网站(http://www.dosol.com.brwithin)上于2010年发布的文章,并促进了音乐,媒体和传播研究人员之间的对话。研究对象的观点以面对情况并与理论家一起加强结语的主要部分。获得的结果表明,在有关肯定性政策和社会资本的网站演讲上,试图保持/诱使目标受众具有预期的信誉含义。经济因素经常使演讲变得混乱,以至于演讲者假设一个企业家/文化生产者。作为利基市场,Dosol在音乐产业中扮演重要角色,以释放地区和本地文化产物。另一方面,值得注意的是,如今天所见,其可持续性和媒体可见性取决于促进文化发展的法律,这意味着北里约格兰德州缺乏中长期的区域文化政策

著录项

  • 作者

    Queiroz Tobias Arruda;

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  • 年度 2012
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  • 原文格式 PDF
  • 正文语种 por
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