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Estágio supervisionado em música na educação infantil: um estudo com egressos do curso de Licenciatura Plena em Música da UFRN

机译:幼儿教育中的音乐实习:与UFRN音乐许可课程的毕业生进行的研究

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摘要

This dissertation aims to analyze the process of teacher autonomy built by the musical educator graduated from the course of Full Licenciate in Music (CLPM) of UFRN, from the supervised stage. It is a qualitative research, with a theoretical basis based on dialogue with authors such as Freire (2014), Pimenta (2012), Contreras (2002) and Zatti (2007). The insertion of the researcher in the field was based on the completion of the curricular component Supervised Stage I by CLPM offered by UFRN, in the period of 2014.1. Of this experience, acquired certain experience with the target public referred to. This research was carried out with six graduates of this Course who fulfilled the curricular component related to Supervised Internship I (in Early Childhood Education) in the periods of 2013.1 and 2014.1. From the stage realized in diverse contextualizations of Early Childhood Education, it was investigated how the initial process of teacher autonomy of the Musical Educator was structured that made its supervised stage directed to Early Childhood Education in these contexts. In this way, the supervised stage is perceived as a practice that provides autonomous postures and that resigns actions of the pedagogical practice, thus composing a didactic repertoire that favors the action of the trainee along with the commitment to the quality of the work that will develop after his initial formation. As a research technique, an open questionnaire was used about the contextualization between is stages and the locus where the stages were fulfilled, as well as through the analysis of the internship report and the CLPM / UFRN curriculum structure. The results of the search were based on a content analysis based on the foundations of Bardin (2011). Through this research we know the professional experiences experienced by the graduates of the undergraduate CLPM of UFRN, who contributed to the construction of a teaching autonomy from the insertion of these trainees in the schools of Early Childhood, impressions these, which marked the initial life of these educators. The participants of this research are young graduates who are now officially entering the universe of teaching. This research also brings considerations about childhood, where dialogues are drawn with authors involved in the process of educating in this phase of learning. The dialogues traced the child as a social being, as well as a brief history about the period of Early Childhood Education.
机译:本文旨在分析从UFRN的音乐完全执照课程(CLPM)毕业的音乐教育者所建立的教师自治的过程。这是一项定性研究,基于与弗雷雷(2014),皮门塔(2012),孔特雷拉斯(2002)和扎蒂(2007)等作家对话的理论基础。该研究人员的加入是基于UFRN提供的CLPM的“监督的第一阶段”课程组件在2014.1期间的完成。在这些经验中,提到了与目标公众的一定经验。这项研究是与该课程的六名毕业生一起完成的,这些毕业生在2013.1和2014.1。期间完成了与有监督实习I(在幼儿教育中)相关的课程。从在早期幼儿教育的各种语境中实现的阶段开始,研究了音乐教育者的教师自主权的初始过程是如何构建的,从而使其在这种情况下针对幼儿教育的受监督阶段。这样,被监督的阶段被认为是一种提供自主姿势并且放弃教学实践行为的实践,因此构成了一个教学方法库,该库有利于受训者的行为以及对将要发展的工作质量的承诺在他最初的形成之后。作为一项研究技术,我们使用开放式问卷调查了阶段和阶段完成地点之间的情境,以及通过分析实习报告和CLPM / UFRN课程结构。搜索结果基于基于Bardin(2011)的内容分析。通过这项研究,我们了解了UFRN的CLPM本科毕业生的专业经验,他们通过将这些学员引入幼儿学校,为建立教学自主性做出了贡献,给他们留下了深刻的印象,标志着他们的初生。这些教育者。这项研究的参与者是年轻的毕业生,他们现在正正式进入教学领域。这项研究还带来了有关儿童时代的考虑因素,即与参与这一学习阶段的教育过程的作者进行对话。对话追溯了儿童的社会地位,以及有关早期儿童教育时期的简短历史。

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    Fernandes Midiam de Souza;

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  • 年度 2017
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