Joseph Joachim was the most influential violinist in Brahms’s life. Not only did the pair have aclose personal friendship, but they also admired and respected each other on a professional level.Their high esteem and appreciation for each other led to performance and compositionalcollaborations. One of the most beloved and well-known works of Brahms’s violin music, theViolin Concerto, was dedicated to Joachim. Indubitably, Joachim influenced the Violin Concerto.Regardless, there are many debates on how much of an input Joachim had on the concerto.In order to examine the influences of performers and composers on selected violin works ofJohannes Brahms, the three sections in this paper will investigate Joachim and Brahms, thendiscuss the importance of a performer-composer’s relationship in the 19th century and, finally,assess the amount of Joachim’s influence on the Brahms Violin Concerto. Each category willhave an introduction and information presented in a biographical form, a historical form andmusical analysis. Some of the following analysis may be hypothetical, yet, a possibility.Further part of my research will conclude with a recital programme consisting of the BeethovenViolin Concerto in D major, Op. 61, I. Allegro Ma Non Troppo, Brahms Sonata No. 3 in D minor,Op. 108, Sonatensatz/Scherzo movement of the F-A-E Sonata, and Hungarian Dances No. 1, 5and 7. This will take place on June 18, 2011 in the Adam Concert Room at New Zealand Schoolof Music at 10:30 A.M.
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机译：约瑟夫·约阿希姆（Joseph Joachim）是勃拉姆斯一生中最有影响力的小提琴家。这对夫妇不仅建立了亲密的个人友谊，而且在专业水平上彼此钦佩和尊重，他们彼此之间的高度重视和赞赏导致了表演和乐于合作。勃拉姆斯小提琴音乐最受人喜爱和最着名的作品之一，《小提琴协奏曲》是献给约阿希姆的。毫无疑问，约阿希姆对小提琴协奏曲产生了影响，无论如何，关于约阿希姆对协奏曲的投入有多少争议，为了研究表演者和作曲家对约翰内斯·勃拉姆斯精选小提琴作品的影响，本文将分为三个部分调查约阿希姆和勃拉姆斯，然后讨论19世纪表演者与作曲家之间关系的重要性，最后评估约阿希姆对勃拉姆斯小提琴协奏曲的影响程度。每个类别都有一个简介和以传记形式，历史形式和音乐分析形式呈现的信息。以下某些分析可能是假设性的，但有可能。我的研究的另一部分将以独奏大调的贝多芬小提琴协奏曲独奏音乐会为结尾。 61，I。Allegro Ma Non Troppo，《 D小调》第三张勃拉姆斯奏鸣曲，作品。 108，F-A-E奏鸣曲的Sonatensatz / Scherzo运动以及1、5和7号匈牙利舞蹈。这将于2011年6月18日上午10:30在新西兰音乐学院的亚当音乐会室举行。
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