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Understanding new audiences: an audience reception study of 'non-theatregoers' attending La Boite Theatre Company's 1998 season

机译:了解新观众:1998年La Boite剧院公司参加“非剧院观众”的观众接待研究

摘要

The primary aim of the project was to expose audience perceptions of La Boite Theatre's 1998 season; secondly, to test and to refine the methodology; thirdly, to discover the reasons why participants do not regularly attend theatre productions. La Boite Theatre is a professional company seen to be positioned between the larger State company and smaller professional and amateur companies in Brisbane. It is a theatre-in-the-round and so its spatial dynamics are conducive to audience participation and close involvement with the drama. In 1998 La Boite Theatre's season of plays was as follows: The John Wayne Principle, Emma Celebrazione!, The Conjurers, Speaking in Tongues, X-Stacy, and A Beautiful Life. The 1998 La Boite Theatre audience reception study contained three groups of twelve participants. All were non-regular theatregoers. In each group there were two of each gender in the 20s, 30-40s, and 50+ age groups earning a variety of incomes. An outline of this study, its success as an industry collaborative venture, and some results will be presented.
机译:该项目的主要目的是让观众了解La Boite剧院的1998季;其次,测试和完善方法;第三,发现参与者不定期参加剧院演出的原因。 La Boite Theatre是一家专业公司,位于布里斯班的大型国营公司与规模较小的专业和业余公司之间。它是一个圆形剧场,因此其空间动态有利于观众参与并密切参与该剧。 1998年,拉布埃特剧院的演出季节如下:约翰·韦恩原则,艾玛·Celebrazione !、魔术师,说方言,X-史黛西和《美丽人生》。 1998年的La Boite Theatre观众接待研究包括3组,每组12位参与者。他们都是非常规的剧院演员。在每个组中,每个年龄段的性别分别为20岁,30-40岁和50多个年龄段的两个,他们的收入各不相同。这项研究的概述,其作为行业合作企业的成功以及一些结果将予以介绍。

著录项

  • 作者

    Scollen Rebecca;

  • 作者单位
  • 年度 1999
  • 总页数
  • 原文格式 PDF
  • 正文语种 {"code":"en","name":"English","id":9}
  • 中图分类

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