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'Belly-speakers', machines and dummies: puppetry in the Australian colonies, 1830s-1850s

机译:会说话的人,机器和假人:1830到1850年代澳大利亚殖民地的木偶戏

摘要

The purpose of this article is to give some attention to the characteristics and performative styles of Australian colonial puppetry during the first fifty years of European settlement. Both formal and informal modes of puppetry will be examined - from self-assembled 'toy theatres' in around the 1830s, to grand exhibitions of mechanical automata in the 1840s, and roadside glove puppet shows and marionette theatre beginning in the J850s. In particular, the examination argues that it is possible to track key developments in nineteenth-century colonial puppetry to twin factors: shifts in attitudes to entertainment motivated by mechanisation and commercialisation; and the rising popularity of ventriloquism, magicians and minstrel shows in the early Victorian era.
机译:本文的目的是要在欧洲定居的前五十年中,对澳大利亚殖民地木偶的特征和表演风格给予一些关注。从正式的和非正式的木偶戏形式都将受到研究-从1830年代左右的自装式“玩具剧院”,到1840年代的大型机械自动表演展览,以及J850年代开始的路边手套木偶戏和木偶戏。尤其是,这项检查认为,有可能追踪19世纪殖民地的木偶戏的主要发展趋势到双因素:由机械化和商业化引起的人们对娱乐态度的转变;维多利亚时代初期,腹腔语言,魔术师和吟游诗人表演的兴起越来越流行。

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  • 作者

    Anae Nicole;

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  • 年度 2007
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  • 原文格式 PDF
  • 正文语种 {"code":"en","name":"English","id":9}
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