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Desde dentro y desde fuera. Del todo a las partes y de las partes al todo.

机译:从内而外。从整体到零件,从零件到整体。

摘要

The work reflects, in two polarities, the unique way to proceed in the production of anything (especially the artifices envelopes) for relatively clarified, track in the way professionals do and how to do training. The polarity "from within and from outside," noted by Agamben and Foucault, among others, leads to distinguish between two positions and two areas of active reflection. From inside appears wrapper with speeches and tragic epic of the creators talking about their doings. From outside objects appear as entities storable. As toys without trial (Perniola), which are to be classified in order of precedence. It is the positioning of historiography. There are two ways of looking at the same time considering the make and miniaturize. From outside, which has to do with geometry, perspective, symbolism, functionality, and from within, it has to do with drawing non specific, morphing, drawing on plant and section, the score of configurations, and so on.
机译:这项工作从两个方面反映了生产任何东西(特别是人工信封)的独特方式,以便相对明确,跟踪专业人员的工作方式以及如何进行培训。阿甘本和福柯等人指出,“从内部和外部”的极性导致区分两个位置和两个主动反射区域。从内部出现包装纸,上面有演讲者和悲惨的史诗,讲述了创作者的所作所为。从外部对象显示为可存储的实体。作为未经审判的玩具(Perniola),应按优先顺序进行分类。这是史学的定位。同时考虑制造和小型化的两种方式。从外部,这与几何形状,透视图,符号,功能有关,而从内部,它与绘制非特定图形,变形,在工厂和剖面上绘制,配置的分数等有关。

著录项

  • 作者

    Seguí de la Riva Javier;

  • 作者单位
  • 年度 2008
  • 总页数
  • 原文格式 PDF
  • 正文语种 {"code":"es","name":"Spanish","id":10}
  • 中图分类

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