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Pearl White and the New Female Image in Chinese Early Silent Cinema

机译:珍珠白与中国早期无声电影中的新女性形象

摘要

Considering the synchronism between the screening of American serials in China and the production of the first few Chinese feature-length films, this paper traces the interaction between Pearl White and Chinese actresses in the early 1920s. It demonstrates how Pearl White was absorbed into Chinese vernacular cinematic culture through the mediation of Chinese film actresses in the early years of Chinese filmmaking. Taking The Shun Pao [Chinese Daily News], one of the most influential newspapers in the 1920s, as its main resource and reconsidering Chinese film history in terms of modernity and gender, this paper reveals how American serial movies, especially “serial queens” such as Pearl White, created a new female image for Chinese movie-goers. It further explores how Yin Mingzhu (1904-1989), a Chinese actress known for her Pearl White-style attire in off-screen life, links Pearl White with the transformation of femininity of modern Chinese women and their search for a new self-image.
机译:考虑到美国连续剧在中国的放映与前几部中国长篇电影的制作之间的同步性,本文追溯了1920年代初期珍珠白与中国女演员之间的互动。它展示了珍珠白在中国电影制作的早期如何通过中国电影女演员的介入而被吸收到中国本土的电影文化中。本文以1920年代最具影响力的报纸之一《中国报》为主要资源,并从现代性和性别角度重新审视中国电影史,本文揭示了美国系列电影,尤其是“连环女王”如何珍珠白(Pearl White)为中国电影观众创造了新的女性形象。该书进一步探讨了以银幕外风格着称的中国女演员尹明珠(1904-1989)如何将珍珠白与现代中国女性的女性化转变以及她们寻求新自我形象的联系。

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    Qin Xiqing;

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  • 年度 2013
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  • 原文格式 PDF
  • 正文语种 en
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