PEMBACAAN KODE SEMIOTIKA ROLAND BARTHES TERHADAPudBANGUNAN ARSITEKTUR KATEDRAL EVRY DI PRANCISudKARYA MARIO BOTTAudMuhammad Taufik Ishak1), Mohammad Mochsen Sir1)udABSTRACTudCulture hyper reality on Barthes semiotics gives an understanding of signudto read a community cultures. Post-modern culture according to Piliangud(1999) can be read by Barthes semiotics trough sign semiotics whichudcorrelate with denotation and conotation. Symbol as a comprehensiveudsystem being a pattern of every signs. According to Barthes (1974; 18-20)udthere were five kind of symbol, such as; hermeneutics symbol, proaireticudsymbol, culture symbol, semic symbol, and symbolic symbol. Evryudcathedral was an important religion building in France which build in thisudcentury. This Mario Botta masterpiece could be read by Barthes semioticsudapproaching using those five symbols. In this paper, the authors was tryudto interpretated the Evry cathedral by Mario Botta using Barthes semiotics.udKeywords: Barthes semiotics, sign, symbol.
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机译：PEMBACAAN KODE SEMIOTIKA ROLAND BARTHES TERHADAP udBANGUNAN ARSITEKTUR KATEDRAL EVRY DI PRANCIS udKARYA MARIO BOTTA udMuhammad Taufik Ishak1），Mohammad Mochsen Sir1） udABSTRACT udCulture赋予了对巴托人的半超文化的理解。根据Piliang ud（1999）的后现代文化可以用Barthes符号学槽形符号符号学来解读，该符号学与外延和意义相关。作为全面 udsystem的符号是每个符号的图案。根据Barthes（1974; 18-20）的说法，有五种符号，例如：诠释学符号，proairetic udsymbol，文化符号，semic符号和符号符号。 Evry udcathedral是法国重要的宗教建筑，建于该世纪。 Barthes符号学 udapproaching可以使用这五个符号来阅读Mario Botta的这一杰作。在本文中，作者尝试 udto使用Barthes符号学来解释Mario Botta的Evry大教堂。 ud关键字：Barthes符号学，符号，符号。
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