首页> 外文OA文献 >Les Marca (fin XVIIe - début XIXe siècles) : itinéraires et activités d'une dynastie de stucateurs piémontais en Franche-Comté et en Bourgogne
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Les Marca (fin XVIIe - début XIXe siècles) : itinéraires et activités d'une dynastie de stucateurs piémontais en Franche-Comté et en Bourgogne

机译:马卡(17世纪末-19世纪初):山麓灰泥王朝在弗朗什-孔泰和勃艮第的行程和活动

摘要

The topic of this thesis is the Marca dynasty, a piedmontese family from the Valsesia area, specialized in the stucco work. In the early eighteenth century, some of its members migrated to the Franche-Comté in France, in search of work, the others remaining in Piedmont. Their realizations can be studied in religious places and private houses in Italy, in Franche-Comté and Burgundy. These works (altars, pulpits, statues and bas-reliefs in stucco) were created between the late seventeenth century and the early nineteenth century. This topic is entirely unpublished, especially as the information on this family are rare and scattered. Moreover, no research has been undertaken on it, neither in France nor in Italy. This study is well an analysis on this Italian family and its activity. The thesis provides an accurate biography of each member, defines the organization, methods and techniques of the stucco work, the inventory of their works, and position them in the artistic and religious context of their time. The archives of Burgundy, Doubs, Jura, Haute-Saône in France and of the regions of Biella and Vercelli in Italy have been exploited. Visit a large number of Italian and French buildings decorated with Marca’s furniture or near their style has been also necessary to carry out this work. The main objective was to place the Marca dynasty in its geographical, historical and cultural context, to understand its organization and specificity, to define accurately its style from recognized works, to be able to propose new attributions.
机译:本文的主题是马卡王朝(Marca dynasty),一个来自瓦尔塞西亚地区的皮埃蒙特家族,专门从事粉刷工作。在18世纪初期,为了寻找工作,其一些成员移居到法国的弗朗什孔泰(Franche-Comté),其他成员则留在皮埃蒙特。他们的认识可以在意大利的宗教场所和私人住宅,Franche-Comté和勃艮第的地方研究。这些作品(灰泥中的祭坛,讲坛,雕像和浅浮雕)创作于17世纪后期至19世纪初。该主题完全未公开,特别是关于该家族的信息很少且分散。而且,无论是在法国还是在意大利,都没有对此进行研究。这项研究很好地分析了这个意大利家庭及其活动。论文为每位成员提供了准确的传记,定义了灰泥作品的组织,方法和技巧,作品目录,并将其置于当时的艺术和宗教背景下。法国的勃艮第,杜布斯,朱拉,上索恩以及意大利比耶拉和韦尔切利地区的档案已被利用。进行这项工作也必须参观大量装饰有马卡(Marca)家具或风格接近的意大利和法国建筑。主要目标是将马卡王朝置于其地理,历史和文化背景下,以了解其组织和特殊性,从公认的作品中准确定义其风格,以提出新的归属。

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    Zito Mickaël;

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  • 年度 2013
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  • 原文格式 PDF
  • 正文语种 fr
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