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Marilyn Monroe - Icon or Wild Woman?

机译:玛丽莲·梦露-图标还是狂野的女人?

摘要

This project investigates to what extent Marilyn Monroe could be seen as a wildwoman in relation to the theory presented by Clarissa Pinkola Estés in her bookWomen Who Run With The Wolves. This will be done by analyzing andinterpreting three key movies in Monroe’s career: Gentlemen Prefer Blondesfrom 1953, Some Like It Hot from 1959, and the last movie completed beforeher death called The Misfits from 1961. By analyzing these movies and applyingFeminist Theory and Wild Woman Theory, it will be possible to say somethingabout the dynamics between Monroe and the characters that she played.Furthermore the project will focus on the feminist traits that the movies showand how Monroe distanced herself from the time she lived in.It will be investigated whether Monroe can be seen as an icon, by looking at thedissertation Cultural Icons by Mike Parker. It will be established whetherMonroe could be seen as an icon or a wild woman or possibly even both.It is concluded that Monroe was partly a wild woman and at the same time acultural icon and thereby, managed to be both.
机译:该项目调查了玛丽莲·梦露在多大程度上可以视为野性女人,与克拉丽莎·平克托拉·埃斯特斯(Clarissa PinkolaEstés)在其《狼来了的女人》一书中提出的理论有关。这将通过分析和解释梦露的职业生涯中的三部关键电影来完成:1953年的绅士更喜欢金发女郎,1959年的《热喜欢像》,以及去世前完成的最后一部电影,叫做1961年的《不称职》。可能会说说梦露与她扮演的角色之间的动态,此外,该项目还将关注电影所展现的女权主义特征以及梦露与她生活的时间之间的距离,这将调查梦露是否可以通过查看麦克·帕克(Mike Parker)的论文《文化图标》将其视为一个图标。可以确定梦露是被视为偶像还是野性女人,甚至可能兼而有之。结论是,梦露部分是野性女人,同时又是文化偶像,因此成功地兼而有之。

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