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Soaring and Tumbling: An Autoethnography from Higher Education

机译:腾飞和翻滚:高等教育的民族志

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摘要

Writing is also a way of knowing -a method of discovery and analysis. By writing in different ways, we discover new aspects of our topic and our relationship to it. Form and content are inseparable,[1] (Richardson, 2000. p.923). In Fields of Play, Laurel Richardson explores the inextricable way in which working in academia has affected her writing, how writing has affected her sense of self and how her sense of self has affected her role in academia, and so on and so on. It is a weave that is complicated and imperfect. It makes complete sense. In previous work (Moriarty, 2015) I have argued that a splintered and multi-layered text is suitable for reflecting lived experiences and that this style of writing responds directly to Kant's notions of enlightenment (Kant, 2009). Writing in 1794, Kant suggested that an enlightened reading can take place when the text empowers the reader to evolve past a self-imposed immaturity and have confidence in their own understanding, appreciation and/or criticism without explicit guidance from another (in this case, the author). In this chapter, I present fragments of my lived experiences via a split text that uses poetry, memoir, prose and reflexive writing to explore how my autobiographical stories have impacted on my teaching practice. I hope that the process of uncovering and recovering stories will help me to better understand where some of my strategies for teaching are rooted and how they have evolved. I hope that this might have relevance for my colleagues working in education and people wondering what teaching is and can be like. As with all autoethnographic work, I cannot make any absolute claim on any absolute truth, nor would I wish to. As someone who has been through the education system in the UK, trained to be a teacher in higher education (HE) and is now a principal lecturer at the University of Brighton, I feel I have something personal and professional to say about teaching - who of us hasn't? - and I hope this might trigger reflection, discussion and understanding on the part of the reader and help them to value their own experiences in terms of how they can enrich our teaching and also our individual and shared learning. [1] Richardson, L. (1997) Fields of Play: Constructing an Academic Life. New Jersey: Rutgers University Press
机译:写作也是一种认识的方法-一种发现和分析的方法。通过以不同的方式写作,我们发现了主题的新方面以及与主题的关系。形式和内容密不可分,[1](Richardson,2000. p.923)。在游戏领域中,劳雷尔·理查森(Laurel Richardson)探索了在学术界工作对她的写作有千丝万缕的影响,写作如何影响她的自我意识以及她的自我意识如何影响她在学术界的角色,等等。这是一种复杂且不完美的编织。这完全有道理。在先前的工作(Moriarty,2015年)中,我认为分散的多层文本适合反映生活经验,这种写作风格直接回应了康德的启蒙思想(Kant,2009年)。康德(Kant)于1794年写道,他建议当文本使读者能够超越自我强加的不成熟状态并对自己的理解,欣赏和/或批评充满信心而无需他人的明确指导时,便可以进行启发式阅读。作者)。在本章中,我通过使用诗歌,回忆录,散文和反思性写作的拆分文本来介绍我的生活经历片段,以探讨我的自传故事如何影响我的教学实践。我希望发现和恢复故事的过程将帮助我更好地了解我的一些教学策略在哪里扎根以及它们是如何演变的。我希望这可能与从事教育工作的同事以及想知道教学内容是什么样的人有关。与所有民族志研究一样,我不能对任何绝对真理提出任何绝对要求,也不想这样做。作为在英国接受过教育系统,接受过高等教育(HE)培训的人,现在是布莱顿大学的首席讲师,我觉得我在教学方面有个人和专业的话要说。我们当中没有? -我希望这可以引起读者的反思,讨论和理解,并帮助他们在如何丰富我们的教学以及我们个人和共同的学习方面珍惜自己的经验。 [1] Richardson,L.(1997)游戏领域:构建学术生活。新泽西州:罗格斯大学出版社

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    Moriarty Jessica;

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