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From Chinese painting to wearable art: the development of wearable art design process model and evaluation methods for wearable art designers

机译:从中国画到可穿戴艺术:可穿戴艺术设计过程模型的开发和可穿戴艺术设计师的评估方法

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摘要

Wearable art is “art composed of materials structured so they can be worn on the body and that exhibit visually exciting design elements and principles” (Bryant \u26 Hoffman, 1994, P.86). It is a unique (Becker, 1987) and visible symbol that not only depicts the mood of a designer, but also communicates her/his belief, life style, culture, knowledge, and aesthetic tastes to the world. The goals of creating this wearable art collection were to: (a) incorporate traditional Chinese Xie Yi painting themes, ideals or motifs into modern fashion designs with the silhouettes of Western clothing through the use of a variety of handcraft techniques such as nuno felting, wet felting, hand beading, bead embroidery, tambour embroidery, and silk painting techniques, and (b) find the intermediary between Chinese painting and wearable art design and ideally bonding two artistic forms.In order to undertake the inspiration of Chinese painting, the researcher/designer tested 276 dyed and painted fabric samples to ascertain the feasibility of using Chinese ink as a natural colorant for submersion dyeing of 100% cotton and 100% silk fabrics, as well as a textile painting medium on silk organza and silk charmeuse. The results provided valuable information and confidence in the use of Chinese ink in the creation of the textile and wearable arts.After the three lines were created, a new design process model specific for wearable art design, was proposed at the onset of the project based on the researcher/designer’s planned design process. A refined model was created after the documentation of her entire process was completed.The final collection was also evaluated by collecting and analyzing quantitative and qualitative data from professional artists and designers. The results were used to help develop a framework for wearable art designers to evaluate the performance of their wearable art designs.
机译:穿戴式艺术是“由结构化的材料组成的艺术,因此它们可以戴在身上,并展现出视觉上令人兴奋的设计元素和原理”(Bryant \ u26 Hoffman,1994,P.86)。它是一个独特的符号(贝克尔,1987年),可见的符号不仅描绘了设计师的心情,而且还向世界传达了他/她的信念,生活方式,文化,知识和审美品味。创建此可穿戴艺术收藏品的目的是:(a)通过使用各种手工艺,例如努诺毡,湿法,将传统的中国谢义绘画主题,理想或主题纳入西方服装轮廓的现代时装设计中。 (b)找到中国画与可穿戴艺术设计之间的中介,并理想地结合两种艺术形式。为了承接中国画的灵感,研究者/设计师测试了276个染色和染色的织物样品,以确定使用中国墨水作为天然着色剂对100%棉和100%真丝织物进行浸没染色以及在丝绸欧根纱和绢丝织物上进行纺织绘画的可行性。研究结果为在纺织和可穿戴艺术创作中使用中国墨水提供了有价值的信息和信心。在创建三条生产线之后,在项目开始时就提出了专门针对可穿戴艺术设计的新设计过程模型。研究人员/设计人员的计划设计流程。在完成整个过程的文档编制后,便创建了一个精致的模型,并通过收集和分析来自专业艺术家和设计师的定量和定性数据来评估最终作品。结果被用于帮助为可穿戴艺术设计者开发一个框架,以评估其可穿戴艺术设计的性能。

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    Zhang, Ling;

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  • 年度 2016
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