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Constructing Radical Black Female Subjectivities: Survival Pimping in Austin Clarke’s The Polished Hoe

机译:建构激进的黑人女性主体:奥斯汀·克拉克(Austin Clarke)的《抛光的Ho头》中的生存拉皮条

摘要

This essay seeks to add to progressive scholarship that probes the ways in which black women create safe spaces to unapologetically accept their sexuality and the sexual agency that evolves as a result while simultaneously acknowledging the fluidity of feminine identities. In what follows, the author begin by describing the implications of what bell hooks calls "radical black subjectivity" for the sexual agency that may be secured by women who participate in sex work. Second, she examines how Clarke's protagonists, Ma and Mary, evolve and emerge as sexual agents rather than mere victims in their quest for personhood. Their reinvention of self surpasses personal subjectivity and serves as a testament to the struggles of women like themselves who resist from the margins, validating such experiences as worthy of scholarly critique. The third part of the essay challenges the simplistic and troubling idea that women who participate in sex work are merely objects -- objectified by men or self-objectified.
机译:本文力求增加进步的学术研究,探讨黑人妇女如何创造安全的空间来绝对地接受其性行为,以及由此而演变出的性行为,同时承认女性身份的流动性。在下文中,作者首先描述了钟形钩所谓的“激进的黑色主观性”对性机构的影响,而性机构可以由参加性工作的妇女来保证。其次,她研究了克拉克的主人公马和玛丽如何演变和出现,成为性代理,而不仅仅是追求人格的受害者。他们对自我的重塑超越了个人的主观性,并证明了像自己这样的女性的奋斗精神,她们从边缘抗拒,证实了这种值得学术批评的经历。文章的第三部分挑战了一个简单而令人不安的想法,即参与性工作的女性仅仅是对象,是男人的对象或自我的对象。

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