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Factual Television Documentaries and Mental Distress: A Narrative Analysis

机译:事实电视纪录片与心理困扰:叙事分析

摘要

Introduction: The media is the main information source about mental distress and influences people’s meaning-making. Overall, biomedical narratives of mental distress and portrayals of dangerousness have mainly been depicted. Print media is the most researched genre overall while in the realm of non-fictional television, news programmes have been explored the most. Studies have mainly utilised quantitative methodologies and there is a paucity of research on factual television documentaries (FTDs).udMethod: A qualitative study which utilised a narrative analysis methodology was conducted to analyse portrayals of mental distress, dominant narratives, counternarratives and absent narratives in two FTDs broadcasted in the UK. Moving visual images were analysed in conjunction with spoken words.udResults: ‘Anxiety’ is portrayed as a ‘condition’ with ranges of severity. Psychosocial causes are purported and psychological therapy is portrayed as a means for ‘patients’ to learn how to manage ‘anxiety’ themselves. In contrast, ‘psychosis’ is portrayed as a mental ‘illness’ which can be triggered by stressful life events and substance use. People who experience ‘psychosis’ are portrayed as unpredictable and potentially violent, but also victims of negative media portrayals. Interventions such as medication and ‘sectioning’ are portrayed as necessary and humane. Dominant medical narratives were common to both documentaries, however, the Anxiety documentary also constructed a cognitive-behavioural subnarrative. Counternarratives of resistance/ challenges to interventions were constructed by people who access services (PWAS) in both documentaries. Problem saturated identities were constructed for PWAS in both programmes, and alternative identities were hinted at through visual images.udConclusions: The study highlighted more differences than similarities in portrayals and narratives constructed for ‘anxiety’ and ‘psychosis’. The potential impact of the documentaries and implications for clinical practice, research, service and policy development and public health campaigns are discussed.
机译:简介:媒体是有关精神困扰的主要信息来源,并且会影响人们的意义建构。总体而言,主要描述了精神困扰的生物医学叙述和危险性刻画。总体而言,平面媒体是研究最多的类型,而在非虚构电视领域,新闻节目的开发则最为广泛。研究主要使用定量方法,而对事实电视纪录片(FTD)的研究很少。在英国广播的两个FTD。结合口语对移动的视觉图像进行了分析。 ud结果:“焦虑”被描述为严重程度范围内的“状况”。据称是社会心理原因,而心理治疗则被描述为“患者”学习如何自行管理“焦虑症”的一种手段。相比之下,“精神病”被描述为精神上的“疾病”,可以由压力大的生活事件和药物滥用触发。经历过“精神病”的人们被描绘成无法预测的,可能是暴力的,同时也是负面媒体描绘的受害者。药物和“切片”等干预措施在必要和人性化的前提下被刻画。这两部纪录片都采用了占主导地位的医学叙事,但是,《焦虑》纪录片也建构了一种认知行为叙事方式。在两部纪录片中,获得服务的人员(PWAS)都构建了对干预措施的抵制/挑战的叙述。在两个程序中都为PWAS构建了问题饱和身份,并通过视觉图像暗示了替代身份。 ud结论:该研究强调在为“焦虑”和“精神病”构建的描写和叙述中,差异远胜于相似之处。讨论了纪录片的潜在影响以及对临床实践,研究,服务和政策制定以及公共卫生运动的影响。

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    Joseph Candice;

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  • 年度 2016
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