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Brands and Instagram: Point, tap, swipe, glance

机译:品牌和Instagram:指向,点击,滑动,扫视

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摘要

Brands are a critical part of the ongoing experimentation that underpins the development of mobile social media platforms like Instagram. Instagram had no dedicated advertising or analytics tools until 2014 so, in the absence of such devices, brands have developed uses of the platform that engage with the productive ability of cultural intermediaries and consumers to create and circulate images of their bodies, everyday lives, and cultural practices. This article examines the Instagram activities of the global vodka brand Smirnoff and the fashion retailer General Pants. Each brand engages with cultural intermediaries and builds themed activations at cultural events to orchestrate the production of images. Following Wissinger’s (2007a) study of fashion models, we conceptualize Instagram as an image machine that captures and calibrates attention. Instagram expands the terrain upon which brands operate by dispersing the work of creating and engaging with images into consumers’ everyday lives. The efforts made by brands to experiment with mobile media demonstrate the need to critically examine how participatory, discursive, and algorithmic modes of control are interrelated.
机译:品牌是正在进行的实验的关键部分,该实验支撑着Instagram等移动社交媒体平台的发展。 Instagram在2014年之前还没有专用的广告或分析工具,因此,在没有此类设备的情况下,品牌开发了该平台,以利用文化中介机构和消费者的生产能力来创建和传播其身体,日常生活和身体的图像。文化习俗。本文探讨了全球伏特加品牌Smirnoff和时装零售商General Pants在Instagram上的活动。每个品牌都与文化中介机构互动,并在文化活动中建立主题活动,以协调图像的制作。在维辛格(Wissinger,2007a)对时装模特的研究之后,我们将Instagram概念化为可捕捉并校准注意力的图像处理机。 Instagram通过将创建图像和与图像互动的工作分散到消费者的日常生活中,扩大了品牌运营的领域。品牌为尝试使用移动媒体所做的努力表明,有必要严格审查参与性,话语性和算法控制模式之间的相互关系。

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