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New Directions for Art Galleries and Museums: The Use of Special Events to Attract Audiences - A Case Study of The Asia Pacific Triennial

机译:美术馆和博物馆的新方向:利用特殊活动吸引观众-以“亚太三年展”为例

摘要

In contemporary society, the role of art galleries is changing. As social patterns and demands have changed, so to have peopleu27s expectations of their visiting experiences at art galleries. As well, the traditional boundaries that defined the functions of art galleries has changed as these institutions have had to expand as they increasingly see themselves as part of the wider leisure establishment. A frequent response by art galleries to the situation of changing roles and audiences has been the mounting of special events to bring in increased visitors and to modernize their appeal and therefore competitiveness (Hooper-Greenhill 1994; Frey & Busenhart 1996). This paper examines the motivations for attending the Asia-Pacific Triennial Art Exhibition to uncover some of the factors that motivate audiences to attend special events at art galleries. To highlight the differences between audiences who visit art galleries specifically to attend the special events, and audiences who attend galleries for a general visit, the motivations of attendees to both the Queensland Art Galleryu27s Asia-Pacific Triennial and general gallery are examined and compared.
机译:在当代社会中,美术馆的作用正在发生变化。随着社会模式和需求的变化,人们对美术馆参观体验的期望也随之提高。同样,定义美术馆功能的传统界限也发生了变化,因为随着这些机构越来越多地将自己视为更广泛的休闲场所的一部分,它们不得不扩大规模。画廊对不断变化的角色和观众的情况经常做出反应,即举办特殊活动来吸引更多的游客,并使他们的吸引力和竞争力现代化(Hooper-Greenhill 1994; Frey&Busenhart 1996)。本文研究了参加亚太三年展艺术展的动机,以发现一些促使观众参加美术馆特别活动的因素。为了强调专门参观美术馆以参加特殊活动的观众与参观美术馆进行一般参观的观众之间的区别,我们研究并比较了昆士兰美术馆亚太三年展和一般美术馆的与会者动机。 。

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