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Acquiescence and salvation : Colin McDougall's Execution and existential postwar Canadian literature

机译:默许与救赎:柯林·麦克杜格尔的处决与战后加拿大存在的文学

摘要

Since winning the 1958 Governor General's award, Colin McDougall's only novel, Execution, has been critically neglected despite the richness of a text that provides ample critical avenues into postwar Canadian literature. This thesis, "Acquiescence and Salvation," will revitalize critical interest in McDougall, an overlooked but deserving Montreal writer, and place his work into the larger context of postwar Canadian literature. In addition, this thesis will examine the complicated relationship the novel has to existentialism, especially as it relates to trauma and how one makes meaning out of experience. McDougall's characterization and explicit allusions to existential writers like Franz Kafka indicate that Execution is an existential meditation as well as a war novel. However, this interpretation of Execution is complicated by the Christian allegory at its end, which seems out of place in an existential text. The thesis will explore the themes of sacrifice, responsibility, experience and existentialism in the primary text in concert with the writings of Sartre, Conrad, Camus, and Kafka in order to understand the postwar existential context inhabited by McDougall. Soren Kierkegaard's Fear and Trembling will be especially important to the thesis since Execution synthesizes its distinct Christian existentialism into novel form.
机译:自从1958年获得总督奖以来,尽管文字丰富,可为战后加拿大文学提供充足的批评途径,但科林·麦克杜格尔的唯一小说《处决》却遭到严格的忽视。这篇题为“默许与救赎”的论文将使人们对麦克杜格尔(McDougall)产生了浓厚的兴趣,麦克杜格尔是一位被人忽视但值得蒙特利尔的作家,并将他的作品置于战后加拿大文学的更大范围内。此外,本文还将探讨小说与存在主义之间的复杂关系,尤其是涉及创伤以及人们如何从经验中获取意义的问题。麦克杜格尔的特征以及对诸如弗朗兹·卡夫卡(Franz Kafka)之类的存在主义作家的明确暗示表明,“处决”既是存在主义的沉思,又是战争小说。但是,这种对执行的解释由于基督教寓言的结尾而变得复杂,这在存在文本中显得格格不入。论文将与萨特,康拉德,加缪和卡夫卡的著作一起探讨原始文本中的牺牲,责任,经验和存在主义的主题,以了解麦杜格尔所居住的战后生存环境。 Soren Kierkegaard的《恐惧与颤抖》对论文尤为重要,因为执行将其独特的基督教存在主义综合为新颖的形式。

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    Abram Zachary;

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  • 年度 2009
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  • 正文语种 en
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