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WHO YOU CALLINu27 A BITCH? A CONTENT ANALYSIS OF THE IMAGES USED TO PORTRAY AFRICAN AMERICAN WOMEN IN RAP MUSIC

机译:你叫谁母狗?说唱音乐中描写非洲裔美国女性形象的内容分析

摘要

Rap music has been a major force in American culture since the 1970s. It can be political, uplifting, and celebratory. It can also be misogynistic and degrading to women, the focus of the current research. This paper begins with a brief history of the importance of music in the African American community. It then provides a history of rap music and major influences on its development through the decades. A systematic comparison of Billboard’s top 5 rap videos for 2004 and 2014 follows. This section, the core analysis, compares the lyrical and visual content in terms of the representation of African American women. Findings reveal three stereotypes—Jezebel, Sapphire, and Mammy/“Baby Mama”—dominate the presentation of African American women in the videos. Based on these three stereotypes, the videos present African American women as greedy, dishonest, sex objects, with no respect for themselves or others, including the children under their care. The women in the videos are scorned by men and exist to bring pleasure to them. Differences between 2004 and 2014 with respect to misogyny and degradation of a group that has historically suffered from dual disadvantage—because of both race and gender—are minimal. This research is a call to action to pay close attention to rap songs and rap music videos and to demand change both from rap artists and the companies that back them.
机译:自1970年代以来,说唱音乐一直是美国文化的主要力量。它可以是政治的,令人振奋的和庆祝的。它也可能是厌恶女性和贬低女性,这是当前研究的重点。本文首先简要介绍了音乐在非裔美国人社区中的重要性。然后,它提供了说唱音乐的历史以及几十年来对其发展的重大影响。接下来是2004年和2014年Billboard前5个说唱视频的系统比较。本部分是核心分析,从非裔美国妇女的代表性方面比较了抒情和视觉内容。调查结果揭示了三种刻板印象-耶洗别,蓝宝石和妈咪/“婴儿妈妈”-在录像中展现了非洲裔美国女性的主导地位。根据这三个定型观念,视频向非洲裔美国妇女展示了贪婪,不诚实,性的对象,没有尊重自己或他人,包括自己照看的孩子。视频中的女人被男人嘲笑,并为他们带来快乐。在2004年和2014年之间,由于种族和性别原因,过去一直遭受双重不利影响的群体的厌食症和退化方面的差异很小。这项研究呼吁采取行动,密切关注说唱歌曲和说唱音乐视频,并要求说唱艺术家及其支持公司做出改变。

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    Lindsay Melanie Marie;

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